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PROG FOLK

A Progressive Rock Sub-genre


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Prog Folk definition

In the wake of the 1960s, a Folk revival started on both sides of the Atlantic, and got quickly linked with a protest movement, not always, but often linked to more left-wing tendencies, which did not sit well with the authorities. BOB DYLAN, JOAN BAEZ, WOODY GUTHRIE, JOHN DENVER, BUFFY STE-MARIE, but also the FARINA couple Richard and Mimi for the US and SHIRLEY COLLINS and EWAN McCOLL (mentor of BERT JANSCH, JOHN RENBOURN ) for the UK and HUGUES AUFRAY in France. In Quebec, there was the "Chansonniers" phenomenon among which CLAUDE LEVEILLE and FELIX LECLERC were the most popular, waking up the sleepy "Belle Province" and stand up for itself from the English rule. The English part of Canada also brought up JONI MITCHELL, LEONARD COHEN (although he was from Montreal) and NEIL YOUNG.

As DYLAN turned electric with his Highway 61 Revisited album, much to the dislike of purists who yelled for treason, Folk Rock was born, opening the floodgates for younger artists to turn on the electricity. As DYLAN soon abandoned to style to create Country Rock with his next album, his British equivalent Scotsman DONOVAN stayed true to Folk Rock. In the US, THE BYRDS were the main promoters of the style by now, culminating with the superb "Eight Miles High" track with a lengthy (for the times) guitar solo of almost one minute. But countless other bands on the west coast, such as LOVE, JEFFERSON AIRPLANE (and later its spin-off HOT TUNA), GRATEFUL DEAD, QUICKSILVER MESSENGER SERVICE, PEARLS BEFORE SWINE, and TIM BUCKLEY all started in the folk rock realm. Even San Fran's SANTANA with its Latino traditional music and, on the east coast, NY's THE LOVING SPOONFUL had folk roots. Notwithstanding the immense popularity of SIMON & GARFUNKEL and their delicious harmonies, Folk Rock was appealing only to the rock public as the older generations turned their backs in folkies.

In the UK, following on their countrymen DONOVAN, many Scotsmen were very influent in exploring new grounds for folk rock: INCREDIBLE STRING BAND (led by Scots Palmer and Williamson) with their two highly influential albums "5000 Layers Or The Spirit Of The Onion" & "The Hangman's Beautiful Daughter" and THE PENTANGLE (led by other Scots Renbourn, Jansch and McShee and their superb bassist Danny Thompson) and its incredible fusion of folk, blues and jazz style were very instrumental in developing the style to the same extent as FAIRPORT CONVENTION and STRAWBS who by that time were still more conventional US "west-coast folk rock". The single artistes in folk rock became known as Folk Troubadours were also numerous and often presented a more progressive side of folk: AL STEWART, NICK DRAKE, ROY HARPER, TYRANOSAURUS REX (actually a duo of Steven Took and Marc Bolan) , JOHN MARTYN etc.

However, the real angular album that will lead to further change of Folk Rock is FAIRPORT CONVENTION's "Liege & Lief" album, that proved to be highly influential for another generation of groups: this album concentrated into electrifying seminal English traditional folk and retained that quaint Englishness taste. It is interesting to see that both leaders of FAIRPORT quit the band after this success to go their respective way: Sandy Denny to a solo folk songwriting career and Ashley Hutchings to a very traditional folk rock. By this time, most connoisseur were talking of Acid Folk, Psych Folk, and Progressive Folk, all having limited differences and no particularly drawn-out limits or boundaries, but all relying on experimental or groundbreaking adventures and good musicianship but not necessarily of an acoustic nature.

Groups like THE THIRD EAR BAND and QUINTESSENCE relied on eastern Indian music influences and, sometimes, medieval tones. Other groups like the weird COMUS, TREES, SPIROGYRA, FOREST, the superb JAN DUKES DE GREY but also TRADER HORNE, TUDOR LODGE, FOTHERINGAY, MAGNA CARTA, and TIR NA NOG were out to break new ground but with less commercial success as their predecessor. By 1972, all of the glorious precursors bands were selling fewer records and had problems renewing themselves and a newer generation of groups was relying in a more Celtic jigs or really traditional sounds. Such as HORSLIPS, DANDO SHAFT, STEELEYE SPAN, AMAZING BLONDEL, ALBION DANCE BAND and SPRIGUNS OF TOLGUS. Although JETHRO TULL had some definitive folk roots right from the start, their only albums that can be regarded as Prog Folk are 1977's Songs From The Woods and 1978's Heavy Horses. Ian Anderson (another Scots) was very keen in acoustical traditional songs. Some Folk Troubadours such as TIM BUCKLEY and JOHN MARTYN started turning records more and more axed towards fusing jazz and folk (a bit in what THE PENTANGLE were doing) , others became more and more electric and they started to be referred to as Singer Songwriters especially those with country rock influences.

In Germany, HOELDERLIN (and their fantastic debut album), EMTIDI, OUGENWEIDE, CAROL OF HARVEST, WITTHUSER & WESTRUPP were exploring German folk while KALACAKRA , SILOAH and EMBRYO were indulging with Indian music. In South America, most notably in Chile, LOS JAIVAS (very bent upon Andean Indian music) and CONGRESO (more Spanish-Latino folklore) were using folk in their rock, so much that some press talked about them referring it with the hateful term Inca Rock. In Quebec, the progressive movement exploded with the cultural identity and the Chansonniers tradition and this was carried out with LES SEGUIN and HARMONIUM and so many more. In France, many groups were out for folk rock such as CATHERINE RIBEIRO AND ALPES, TANGERINE, and ASGARD. In Spain, Flamenco playing a dominant role as well as Basque folk, TRIANA, ITOIZ and HAIZEA were the head of the movement once the Franco regime fell apart after his death.


There is also a very important medieval music influences dimension in some groups as the term Medieval Folk was also mentioned for a while but apparently dropped by musicologists. Among the UK groups are obviously GRYPHON, GENTLE GIANT and THIRD EAR BAND, in France: MALICORNE and RIPAILLE and in Scandinavia: ALGARNAS TRADGARD and FOLQUE.


Hugues Chantraine
with hyperlinks and updates by Ken Levine December 2017

Current Team as of December 2017

Bob Moore aka ClemofNazareth
Ken Levine aka Kenethlevine
Sean Trane

Prog Folk Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Prog Folk | More Top Prog lists and filters

4.63 | 3380 ratings
THICK AS A BRICK
Jethro Tull
4.36 | 2683 ratings
AQUALUNG
Jethro Tull
4.35 | 1341 ratings
SI ON AVAIT BESOIN D'UNE CINQUI萂E SAISON
Harmonium
4.20 | 1446 ratings
SONGS FROM THE WOOD
Jethro Tull
4.23 | 216 ratings
ST. RADIGUNDS
Spirogyra
4.19 | 328 ratings
ALTURAS DE MACHU PICCHU
Jaivas, Los
4.16 | 573 ratings
FIRST UTTERANCE
Comus
4.15 | 660 ratings
RED QUEEN TO GRYPHON THREE
Gryphon
4.21 | 221 ratings
MICE AND RATS IN THE LOFT
Jan Dukes De Grey
4.17 | 347 ratings
GRAVE NEW WORLD
Strawbs
4.15 | 358 ratings
HERO AND HEROINE
Strawbs
4.44 | 48 ratings
LUCAS
Ara鷍o, Marco Ant鬾io
4.11 | 331 ratings
L'HEPTADE
Harmonium
4.25 | 87 ratings
ERWARTUNG
Eden
4.77 | 23 ratings
D贚AM罭
Clannad
4.15 | 142 ratings
BELLS, BOOTS AND SHAMBLES
Spirogyra
4.04 | 1275 ratings
STAND UP
Jethro Tull
4.04 | 1193 ratings
HEAVY HORSES
Jethro Tull
4.03 | 1229 ratings
MINSTREL IN THE GALLERY
Jethro Tull
4.07 | 292 ratings
THE HAZARDS OF LOVE
Decemberists, The

Prog Folk overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Prog Folk experts team

NYA LJUDBOLAGET
Nya Ljudbolaget
GENTLE SOUL
Gentle Soul, The
A CANDLE FOR JUDITH
Way We Live, The
MOTHER TWILIGHT
Faun Fables

Latest Prog Folk Music Reviews


 Dancing on a Cold Wind by CARMEN album cover Studio Album, 1975
3.71 | 71 ratings

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Dancing on a Cold Wind
Carmen Prog Folk

Review by sgtpepper

3 stars Not necessarily much worse than the debut album, this one has less memorable songs, is also a bit more derivative of other bands in the prog-space but has the same instrumental quality. "Viva mi sevilla" keeps vocals to the minimum and displays strong keyboard, guitar and rhythmic skills by the band. After that, the flamenco influence is diminished until the final suite arrives, while progressive and folk elements remain. Anyway, I can't help myself thinking that Jethro Tull was listened to by the band members. The long suite at 23 minutes is a bit of a letdown due to low compositional and not exactly the depth that a progressive rock suite would be expected to bring. On a positive note, there are female vocals and a good melody.
 Fandangos in Space by CARMEN album cover Studio Album, 1973
3.83 | 119 ratings

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Fandangos in Space
Carmen Prog Folk

Review by sgtpepper

3 stars The music has more unique and interesting sound that it has its compositions. Very original blend of flamenco, folk rock and progressive rock. Singing is of acquired taste with average voice colour and not big range but harmonies save it quite often. The focus is on the feeling and flow more than on instrumental prowess and that is good so because the sound keeps its folky spirit and warmth. Rhythmically, especially the first track makes you want to dance and it certainly provide quite some dynamics - Bulerias with its Spanish lyrics is one of the highlights. "Bullfight" has some hard riffing but great folk harmony vocals and finally also a decent keyboard solo. The vocal intensity reminds a bit of Ian Anderson, we can all this track a true prog-rock work.

But then we get a simplified and poppy song like "Stepping stone" which create an obscure feeling. "Sailor song" has a perfect blend of folk charm, vocal harmonies and gorgeous melody. This is a well constructed track. "Lonely house" is a good ballad. "Tales of a spain" is quite a unusual signature - adventureous development of the composition but takes repeated listening. "Retirando" is a beautiful lyrical song that only goes for two minutes - they could have kept in instrumental. The title track is one of the most complex compositions but for me not particularly a stand-out.

Worth listening, maybe even a repeated one ;)

 Stories of Strangers by GRUMBLEWOOD album cover Studio Album, 2020
3.17 | 4 ratings

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Stories of Strangers
Grumblewood Prog Folk

Review by BrufordFreak
Collaborator Honorary Collaborator

3 stars This collaboration of some mature folk rockers will entice lovers of the old stuff of bands like Horslips, Jethro Tull and even Uriah Heep.

1. "My Fair Lady" (7:30) good folk rock sound with fairly simple structure and performances (especially from bass and flute) and passable vocals. The second, almost-parenthetical section, beginning at 4:50, is great--very HORSLIPS-like. The sea-shanty section in the seventh minute, too. (13/15)

2. "Picturesque Postcard" (4:42) though mandolin and acoustic guitar and pacing giving this a kind of CARAVAN and MAGIC BUS feel, the song drifts cleanly onto the tracks of JTULL paths during the heavier (electrified) chorus sections. Nothing new or too exciting here. (8.25/10)

3. "Castaways" (5:17) again, I am distracted by hearing so much of other bands in the Grumblewood sound: MAGIC BUS, CARAVAN, JETHRO TULL, HORSLIPS, and even THE ANIMALS in this one. Lead singer Gav Bromfield tries to be powerful and emotional, but it just doesn't feel authentic. (8.25/10)

4. "Fives & Nines" (4:35) The compositions and instrumentation are competent but lack flair and flourish (except, perhaps, the drummer's cymbal work). Even the flute is too tight and conservative. (8.5/10)

5. "The Sheriff Rides" (6:02) feels/sounds like a fairly sedate and conservative rehashing of an old folk song--though the frail lead vocal in the verse sections is, to my mind, the most effective of the album. I like bass being front and center but I'm not feeling the connection of his lines to the subject matter. The drums are dull and the guitar work is totally supplemental. The chorus sections weaken the song considerable. I love the subtle "cave"-like background vocals lurking in the background like ghosts--very cool. I find myself wondering what this song would sound like without any bass or drums! (8.5/10)

6. "Ex Memoriam" (3:07) More and more I'm hearing the standard blues-rock chord structures of URIAH HEEP in these songs. Sounds like a Jethro Tull rehearsal. (8.25/10)

7. "The Minstrel" (8:00) More URIAH HEEP construction with a great deal of VAN MORRISON flair. This song is by far the most adventurous and polished song on the album. As it ventures into the meat of the song--the chorus and instrumental section--there is far more of a JETHRO TULL force on exhibit. But then it turns all VAN MORRISON. The bass holds down the rhythm and flow, the guitars and drums do Van Morrison-like jazz-scatting around, and the flutes and vocals provide some nice melodic threads into the overall weave. The vocal after this actually reminds me of a cross between ERIC BURDEN and Magic Bus's PAUL EVANS. Easily the best song on the album. (13.5/15)

8. "Stories of Strangers" (5:27) reminds me of a Colin Tench or Guy Manning song--though still retaining the vocal strains and stylings of Eric Burdon. The song drags a little--like a C&W ballad or song by THE BAND. During the mandolin solo in the middle it sounds like everyone wants to launch into a rolicking uptempo jam, but just can't figure out how to do it. The entrance of electric guitar power chords helps to initiate the move--and this pace feels much more appropriate for this palette of instruments. Even when the background vocalist-supported vocal returns, this is a much better pace, though still not perfect. It just feels, with repeated listens, that this song could have used a lot more practice and polishing--so that all of the band members could feel confident enough to add little ideosyncracies of personality. (8.25/10)

Total Time 44:40

Overall, the reverbed and often doubled-up vocals of lead vocalist Gav Bromfield are just not strong or emotive enough to carry this band into the realms of top-tiered Prog Folk sound.

B-/low four stars; recommended for you to try for yourself but it is my opinion that if this album "rocks your world" then you haven't heard enough early Jethro Tull, Horslips, Van Morrison, or Uriah Heep.

 Hourglass / Theme from Harry's Game by CLANNAD album cover Singles/EPs/Fan Club/Promo, 1989
3.00 | 1 ratings

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Hourglass / Theme from Harry's Game
Clannad Prog Folk

Review by Matti
Prog Reviewer

— First review of this album —
3 stars 'Hourglass' is a non-album single track that has appeared on a couple of Clannad compilations. The song was inspired by the life and poetry of Debbie Barben, but a quick googling didn't reveal more about the person in question. The music video and the lyrics ("Then four gray walls come tumbling down / And just because her skin was brown") deal with a young black woman. This is a fresh-sounding, beautiful, peaceful and fairly typical, cleanly produced folk pop ballad by Clannad. Moira Brennan's ethereal voice is as nice as always and she plays a lot of harp on this song. Surely the song would have been a very good addition on a studio album such as Anam (1990).

The CD single also features the Irish band's well known TV series theme song that gave them a wide international stardom in 1982. A great, classic song, no doubt of that, but its re-appearing once more in this single feels a bit unnecessary.

[ P.S. Sadly racism still exists in our world, but hopefully it will become more and more irrelevant which colour one's skin is. Right now I'm very happy that the United States is having a new president after Trump who's still being a total asshole and doing his best to divide the nation in two. ]

 Roy Harper & Black Sheep: Commercial Breaks by HARPER, ROY album cover Studio Album, 1994
2.00 | 1 ratings

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Roy Harper & Black Sheep: Commercial Breaks
Roy Harper Prog Folk

Review by Heart of the Matter

— First review of this album —
2 stars A light affair this one, with very capable musicians serving a not entirely worthy purpose. We find misses and hits alike, and of a very varied nature:

The opener, a despicable pop song, coming from some prehistoric form of pop that doesn't dare to say its name, and no one wants even to remember. By charging this hedious thing with an adjective like "poor", one will be conceding too much.

But there are some shots hitting the target, anyway. Those will be the acoustic songs, where Roy's unique voice and phrasing really shine, like "I'm In Love With You", and some rocker in a Thin Lizzy vein, like "Ten Years Ago".

Even so, too uneven to be good.

 Thick as a Brick by JETHRO TULL album cover Studio Album, 1972
4.63 | 3380 ratings

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Thick as a Brick
Jethro Tull Prog Folk

Review by yeshead 777

4 stars I've gone back and forth over the years of loving this whole album to getting bored and bogged down while listening to it in its entirety. Well I've just listened to the entire thing in one sitting again for the first time in years, and I'm back to loving about 95% of it. It still bogs a little at the end of side one and beginning of side two for me, such as sides 2 and 3 of tales of topographic oceans even does for alot of staunch yes fans. I think Ian one hundred percent accomplished what he wanted to. There are tons of variety and it begins and ends with beautiful acoustic passages, and notably John Evans organ work stands out throughout. Its just that the long form prog epic JT as is represented here and on passion Play quite stand up to some of the other albums with such great collections of shorter songs like Aqualung, Songs from the wood, Living in the past, storm watch, benefit, heavy horses, and such. I know I'll get alot of flack for that comment, but when it comes down to choosing a JT album to listen to on Saturday afternoon, this is not choice no.1, more like choice no. 6 or 7.
 Aqualung by JETHRO TULL album cover Studio Album, 1971
4.36 | 2683 ratings

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Aqualung
Jethro Tull Prog Folk

Review by yeshead 777

5 stars Its nearly impossible to be objective about such an iconic album such as this. Not only the album but song that pretty much have been the cornerstone of this band to diehard tull fans and casual ones alike. Where with groups like Yes, Genesis,king Crimson, Gentle Giant, even Pink Floyd their favorite album is up for grab between at least of couple of choices. With Tull, only Thick as a Brick, and maybe Songs from the Wood come close to the popularity of this opus. Hell, the first 6 notes of the title song are only surpassed by Maybe Smoke on the water in the classic rock world. With all that said, and all of the hype, this album is still on my top 5 tull list, but probably 3 or 4, not 1 or 2. And some of this comes from being barraged with the big 3 hits on the radio, and being so burnt out on those I missed the other great stand-outs like Mother Goose, Wondering Aloud, My God, and Hymn 43. As has been said before its the phenomenon variety and mix of hard rock, folk, classical, and a little prog that make this album stand out in their catalogue. War Child came close as far as variety, but no where close in quality. Simply said, the only other Tull albums that come close in songwriting are TASB, and SFTW.
 Benefit by JETHRO TULL album cover Studio Album, 1970
3.91 | 1059 ratings

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Benefit
Jethro Tull Prog Folk

Review by yeshead 777

4 stars There is no doubt that the first five TULL albums got incrementally better and truer to their strong suits which are melding the folk, rock, and prog elements into one tasty stew. The first proggier elements are evident on Benefit, namely With you there to help me and To cry you a song. While Inside and teacher were or should have been great radio staples. I think Teacher ranks up there with the three big hits from Aqualung. There's not really a weak song here, and Martin Barre's guitar work is much more essential to the overall sound than on Stand up. Even though this but doesn't quite stay with you like the next two, it was a great indication of what was to come in the next 2 years. For some reason it took a little while for me to warm up to this one, not its easily in my top 10. A strong four!
 Stand Up by JETHRO TULL album cover Studio Album, 1969
4.04 | 1275 ratings

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Stand Up
Jethro Tull Prog Folk

Review by yeshead 777

4 stars JT's follow up to their solid debut That Was came screaming out of the gate with new guitarist Martin Barre's powerful Tony Iomi type riffs on A new day yesterday, a hard rocking blues opener. Jeffrey goes to Leicester Square is the first true folky number we will grow to love esp. In the 77-79 period. Great flute and acoustic guitar work. Bouree is a signature Anderson flute instrumental masterpiece and has been a staple of live shows through the years. Back to the family is a nice little folk rocker that gains a rough edge from Martin Barres licks, and ending with a very tasty solo. Look into the Sun is another song i had never heard until I bought the album, and was shocked ive never come across it before. The unsung hero on this album for me. It just flows beautifully with great dual acoustic guitars. Side Two starts strong with another bluesy live favorite, Nothing is Easy. Fat man is another favorite totally underrated JT classic imo. The last three songs are more folk rock that we will see on Benefit and aqualung to follow. A very solid and consistent album that I will round up to a four rating.
 This Was by JETHRO TULL album cover Studio Album, 1968
3.31 | 848 ratings

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This Was
Jethro Tull Prog Folk

Review by yeshead 777

3 stars So my goal is to write a review of each of the 18 JT LP's I now own. It is only fitting that this first album of theirs is the last I purchased. And after a couple of complete listens , I find it so much more enjoyable than I thought I would. Yes, most of it is pretty straight forward 60s/70s psychedelic blues. But Ian Andersons distinct voice and style of flute playing magic are apparent from the first notes of the opener, My Sunday Feeling. Beggar's Farm is a favorite, ending with a very intimate flute solo. Move on Alone written by guitarist Mick Abrahams is very unique and alot of fun, just too short. Serenade to a Cuckoo is a standard jazz tune and the first instrumental and is a showcase for Ian's flute mastery and Abraham's classic bluesy licks but goes on a little long and is a little too soft and easy in light of the rest of the LP. Side two starts with instrumemtal Dharma for One co-written by Ian and drummer Clive Bunker. Like most of this album it sounds like it was recorded live in one take, has some great drumming by Bunker, and was a staple in their early live shows. Its breaking me up is more straight up blues and is the weakest and most unoriginal tune on the album. The unsung hero of This Was is definitely the hard rocking Cat's Squirrel. I dont think I ever heard this one til I bought this album. Sounds alot like Cream. Great rhythm section work on this one and again sounds live. A song for Jeffrey sounds the most like the folkier side of Tull to come. It ends with the short and sweet Round. I can see why it has as low a rating on here as it does. But I think its a little stronger and mature than that. A pretty solid first effort. Three and a half stars actually.
Data cached

Prog Folk bands/artists list

Bands/Artists Country
0.720 ALEACION Mexico
3 DAFT MONKEYS United Kingdom
AALTO Finland
RABIH ABOU-KHALIL Lebanon
ACCOLADE United Kingdom
ACCOLADE United States
ADARO Germany
AFFORESTED United Kingdom
AFION Croatia
AGAPE Canada
AGINCOURT United Kingdom
AIGUES VIVES Germany
AKTUALA Italy
NICU ALIFANTIS Romania
ALM訬DEGAS Brazil
ALVA Multi-National
AMANITA Italy
AMAROK Spain
AMAZING BLONDEL United Kingdom
AMBER United Kingdom
AN DRO Germany
ANACRUSA Argentina
IAN ANDERSON United Kingdom
THE ANGELS OF LIGHT United States
ANNAMY Sweden
APARECIDOS Multi-National
AQUAPLAN Finland
AQUARIUM Russia
MARCO ANT訬IO ARA贘O Brazil
DAN ARBORISE United Kingdom
THE ARBORISTS Canada
ARIA PALEA Italy
ARMY OF BRIARS United Kingdom
ARTSRUNI Armenia
ASGARD France
ASHADA Japan
ASHTAR Brazil
ASI SOMOS Puerto Rico
ATMAN Poland
AUCAN Argentina
AUTUMNAL BLOSSOM Germany
AVALANCHE Netherlands
AVE SANGRIA Brazil
AZAHAR Spain
BABADAG Poland
BABY WHALE Multi-National
BAMBIR / THE BAMBIR Armenia
BANDA DO CASACO Portugal
A BARCA DO SOL Brazil
BARR Sweden
TOMAS BATISTA Argentina
BAYON Germany
BEAT CIRCUS United States
BEDEDEUM Italy
BERNARD BENOIT France
BIG LOST RAINBOW United States
BLACKMORE'S NIGHT United Kingdom
BLOPS Chile
BLUEHORSES United Kingdom
BOULE DE SON Canada
BRAN (BR翹) United Kingdom
DAN AR BRAZ France
BREAD LOVE AND DREAMS United Kingdom
BRECHE Canada
PAUL BRETT United Kingdom
BR諷ELMASCHINE Germany
BUCIUM Romania
TIM BUCKLEY United States
VASHTI BUNYAN United Kingdom
C.O.B. United Kingdom
CAEDMON United Kingdom
CALIBAN United States
C罫IX Brazil
CAMELIAS GARDEN Italy
CAN AM DES PUIG Multi-National
CANDIDATE United Kingdom
CANO Canada
CANZONIERE DEL LAZIO Italy
MARCELLO CAPRA Italy
CARMEN United Kingdom
CARNASCIALIA Italy
CAROL OF HARVEST Germany
GIAN CASTELLO Italy
PHILIPPE CAUVIN France
CHARLIE CAWOOD United Kingdom
CHAC MOOL Mexico
CHALIBAUDE France
CHERCHE-LUNE France
CHIMERA Netherlands
CHRYSALIDE France
CIRCULUS United Kingdom
CLANNAD Ireland
CLOGS Multi-National
COMUS United Kingdom
CONGREGACION Chile
CONGRESO Chile
CONNIVENCE Canada
CONSTANTINE United States
CONTRALUZ Argentina
CONVENTUM Canada
CORDE OBLIQUE Italy
DAVE COUSINS United Kingdom
CREMATORIUM Russia
CRYSTAL PHOENIX Italy
CRYSTAL THOUGHTS Greece
CURRENT 93 United Kingdom
DAEMONIA NYMPHE Greece
DANCER United Kingdom
DARNAKES Greece
DAWNWIND United Kingdom
DEAD CAN DANCE Australia
DECAMERON United Kingdom
THE DECEMBERISTS United States
DEMI-HEURE Canada
DETEKTIVBYR臢 Sweden
DIEGO DE MORON Spain
DODSON AND FOGG United Kingdom
DR. STRANGELY STRANGE Ireland
DULCIMER United Kingdom
DUN AENGHUS Multi-National
DUNWICH Italy
JUDY DYBLE United Kingdom
EDEN Germany
ELANE Germany
ELDS MARK Norway
ELECTRIC DESERT Israel
ELFON虯 Mexico
NANCY ELIZABETH United Kingdom
蒑ERAUDE France
EMTIDI Germany
ENBOR Spain
ENGEL (MIGUEL ANGEL DE LA LLAVE JIMENEZ) Spain
L' ENGOULEVENT Canada
R覤ERT ERD蒘Z Hungary
ERGO SUM Chile
ERROBI Spain
ESPERS United States
ETERNIDAD Argentina
LA FAMIGLIA DEGLI ORTEGA Italy
FARAWAY FOLK United Kingdom
FARPOINT United States
FAUN Germany
FAUN FABLES United States
FAVERAVOLA Italy
FAVNI (FAUNS) Germany
FEATHERS United States
THE FELLOWSHIP Italy
FERN KNIGHT United States
FIABA Italy
FIELDS BURNING United States
SERGE FIORI Canada
FIORI-S蒅UIN Canada
FLAIRCK Netherlands
FLIBBERTIGIBBET South Africa
FLOR DE LOTO Peru
FOLKLORE Australia
I FOLLI DI DIO Italy
FOLQUE Norway
FORENINGEN TIL LIVETS BESKYTTELSE Denmark
FOREST United Kingdom
FORSETI Germany
FRACTAL (CHILE) Chile
FRAGUA Spain
FRED United States
FRESH MAGGOTS United Kingdom
FUCHSIA United Kingdom
FUREK臖EN Denmark
GAIA CONSORT United States
GALADRIEL Australia
GALAHAD Germany
GALLERY United Kingdom
GALLEY BEGGAR United Kingdom
GARMARNA Sweden
GAROLOU Canada
GENESIS DE COLOMBIA Colombia
THE GENTLE SOUL United States
THE GHOST United Kingdom
GJALLARHORN Finland
GLAZ France
GORGO Ukraine
GRAAL France
THE GREEN CHILDREN Italy
LARKIN GRIMM United States
GROVJOBB Sweden
GROWING DREAM Canada
GRUMBLEWOOD New Zealand
GRYPHON United Kingdom
GUALBERTO Spain
GURNEMANZ Germany
GWERZ France
HAIZEA Spain
HARMONIUM Canada
ROY HARPER United Kingdom
HAWK South Africa
HAZARI Yugoslavia
HEAVEN & EARTH United States
L' HERBA D'HAMEL?/a> Spain
CARY HEUCHERT Canada
HEXVESSEL Finland
HOELDERLIN Germany
HORIZONTE Argentina
HORSLIPS Ireland
IBIO Spain
ILL WICKER Sweden
ILOUS & DECUYPER France
BRIAN IMIG United States
IN THE LABYRINTH Sweden
THE INCREDIBLE STRING BAND United Kingdom
INDACO Italy
IONA United Kingdom
IRAKLIS Greece
ITHACA United Kingdom
ITOIZ Spain
ITZIAR Spain
IZUKAITZ Spain
JACK O' THE CLOCK United States
LOS JAIVAS Chile
JAN DUKES DE GREY United Kingdom
JESTER United Kingdom
THE JESTERDAYS Greece
JETHRO TULL United Kingdom
NIGEL MAZLYN JONES United Kingdom
JOX France
JUSTINE Multi-National
KAAMOS Finland
KADWALADYR France
KARNATAKA United Kingdom
CHRIS KARRER Germany
KATALENA Slovenia
KEBNEKAJSE Sweden
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