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SYMPHONIC PROG

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Symphonic Prog definition

Symphonic is without doubt the sub-genre that includes爐he most bands in Progressive Rock because for many people it's almost synonymous classic Prog, something爀asy to understand being that爉ost of the燾lassic and/or 爌ioneer燽ands爎eleased music that could be included in this sub-genre, except JETHRO TULL and PINK FLOYD (who still blended some symphonic elements), even KING CRIMSON who very soon expanded their horizons to more experimental music, made their debut with a Symphonic album, "In the Court of the Crimson King" which is a cornerstone in the development of the genre.

The main characteristics of Symphonic are the ones that defined all Progressive Rock: (There's nothing 100% new under the sun) which among others are:
  • Mixture of elements from different genres.
  • Complex time signatures.
  • Lush keyboards.
  • Explorative and intelligent lyrics, in some cases close to fantasy literature, Sci Fi and even political issues.
  • Non commercial approach
  • Longer format of songs

In this specific case the main characteristic is the influence of Classical music (understood as Orchestral works created from the late Gothic to Modern Classical) using normally more complex structure than other related sub-genres like Neo Progressive (That's why sometimes the borderline that divides Symphonic from Neo is so unclear being that is based mostly in a degree of complexity rather than in an evident structural difference)..It is easy to find long keyboard solos reminiscent of Johan Sebastian Bach or melodic works that could have been written by燞andel.

As in any other genre, different Symphonic bands had different approaches to Classical music, for example YES and GENESIS are mainly influenced by the Baroque and Classical periods, while EMERSON LAKE & PALMER has a predilection for post Romantic and modern authors like Mussorgsky, Rimsky Korsakov, Bartok or Ginastera, being爐hat爐heir sound爄s less melodic and more aggressive.

The peak of the genre starts in 1969 and lasts until the mid/late 70's?(more precisely until the release of A Trick of the Tail), when the genre begins to?blend more mainstream influences that took to the birth of Neo Progressive (a new approach for a new decade).


It爄s important to remember that even though the creative peak of Symphonic Progressive爀nded before the 80's,爓e can find燼爏econd birth爄n the 90's coming from the Scandinavian countries (specially Sweden with ANGLAGARD or PAR LINDH PROJECT) and even bands that still in the 21st Century recreate music from this period like SPOCK'S BEARD or ECHOLYN.

Before ending this short description I feel necessary to say (In order to be strictly accurate) that the term Symphonic is not 100% exact, because爐hese燽ands爒ery rarely爌layed symphonies and was爌robably used because the music that influenced the genre was爌erformed by Symphony Orchestras, but爄t is爏o爓idely accepted燽y the Progressive Rock community that爓ould be absurd and futile for燼nybody to燼ttempt a change after so much time.

Iv醤 Melgar Morey, Peru 2006



Symphonic Team

Current Team as at 09/07/17

Iv醤 Melgar Morey (Iv醤_Melgar_M)
Anton Fritz (SouthSideoftheSky)
RdtProg (Louis)

Symphonic Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Symphonic Prog | More Top Prog lists and filters

4.67 | 4543 ratings
CLOSE TO THE EDGE
Yes
4.64 | 4225 ratings
SELLING ENGLAND BY THE POUND
Genesis
4.60 | 3663 ratings
FOXTROT
Genesis
4.45 | 3615 ratings
FRAGILE
Yes
4.42 | 3211 ratings
NURSERY CRYME
Genesis
4.40 | 2762 ratings
MIRAGE
Camel
4.39 | 2355 ratings
MOONMADNESS
Camel
4.37 | 3120 ratings
RELAYER
Yes
4.37 | 1742 ratings
HYBRIS
膎glag錼d
4.30 | 3013 ratings
THE LAMB LIES DOWN ON BROADWAY
Genesis
4.30 | 2947 ratings
THE YES ALBUM
Yes
4.30 | 2354 ratings
THE SNOW GOOSE
Camel
4.28 | 2634 ratings
A TRICK OF THE TAIL
Genesis
4.32 | 1244 ratings
SCHEHERAZADE AND OTHER STORIES
Renaissance
4.38 | 695 ratings
FROM SILENCE TO SOMEWHERE
Wobbler
4.23 | 2130 ratings
EMERSON LAKE & PALMER
Emerson Lake & Palmer
4.29 | 868 ratings
DEPOIS DO FIM
Bacamarte
4.25 | 1106 ratings
VILJANS 諫A
膎glag錼d
4.24 | 1047 ratings
HAMBURGER CONCERTO
Focus
4.32 | 483 ratings
A DROP OF LIGHT
All Traps On Earth

Symphonic Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Symphonic Prog experts team

THE MOST BEAUTIFUL DAY
Exodus
TALES FROM AN ISLAND - IMPRESSIONS FROM RAPA NUI
Blank Manuskript
GUET-APENS
Ange
HIJOS DEL AGOBIO
Triana

Latest Symphonic Prog Music Reviews


 L'araign閑-mal by ATOLL album cover Studio Album, 1975
4.08 | 198 ratings

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L'araign閑-mal
Atoll Symphonic Prog

Review by Muskrat

2 stars A cruel lack of inspiration.

A masterpiece ? I have owned the ATOLL CD since it was reissued by Mus閍 in 1990. Despite my efforts, I never felt any click when listening to "Araign閑-Mal". I've read that some people compare ATOLL to Yes, King Crimson, Genesis or Camel ... That's beyond me!

This record is sorely lacking in inspiration and surfs between the theatrical rock of Ange (crazy lyrics, declaimed parts) and the jazz-rock of Mahavishnu Orchestra (Cazotte n ?1). The compositions are flat, the melodies poor and agreed. Singing is common, sometimes even unpleasant. Some repetitive sections (such as "The Exorcist Photographer") hardly progress and cause boredom. I would only pick up a brief moment when the group woke up. This is the song "Les Robots D閎iles" which reveals a touch of genius. But this too brief moment is quickly forgotten and we fall back into an endless slump.

Yes, I totally disagree with most of the other opinions ... For me, this record will only satisfy collectors or fans of 70th French prog. Besides, I put it on sale.

 Waiting for Miracles by FLOWER KINGS, THE album cover Studio Album, 2019
3.77 | 219 ratings

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Waiting for Miracles
The Flower Kings Symphonic Prog

Review by ComaEcliptic

3 stars Honestly, I hate to be the one to say it but I find this album to be kind of boring. A few really great tracks and a bunch of filler. For the amount of times I have listened to this album I find nothing on this album to be top tier Flower Kings material, except one song, "We Were Always Here" which has a clear throwback to albums like Stardust We Are and give us that nostalgia. Unfortunately, the singles released for this album were the best tracks (besides one other) on the album "Black Flag", "Miracles For America", and "Wicked Old Symphony". I do enjoy "Sleep with the Enemy" because it provides a nice and refreshing side of Hasse Fr鯾erg's voice we don't often get to hear. Unfortunately, the longest song on the album "Vertigo" is vocally fantastic but musically not something I'm too happy with.

I would love to go track by track on this album to give my final score, but I honestly don't have the motivation to provide one on this album. I still think this album is good, but many many many times far from a top tier Flower Kings record.

I will give a track by track analysis, but edited in later. For now, I say between 2.5 and 3 out of 5 stars. Best I can really do.

 Dot by KARMAKANIC album cover Studio Album, 2016
3.93 | 263 ratings

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Dot
Karmakanic Symphonic Prog

Review by ComaEcliptic

5 stars Symphonic Prog with a new Jazz Fusion twist, thats the kind of prog I like! Karmakanic, the Tomas and Roine project that continued with the remainder of the supergroup's member. So what does the latest addition of this incredible (now former) supergroup offer on this fifty minute album? One interlude, one Suppers Ready length epic, one 10 minute long piece and 3 five minute long tracks. This album shows some of both Nils Erikson and Lalle Larsson's best keyboard work, some incredible production, and some really well written tracks. Does this album have everything a modern symphonic prog album has to offer?

Dot, One minute of weird sounds, cool atmosphere, a quirky way to open an album. 5/5

God, the Universe and Everything Else No One Really Cares About: Part 1, The masterful epic found on DOT. Excellent vocal work, loads of solos, great transition pieces from slow, too fast work, too jazz fusion, and finally to symphonic prog to the likes of Foxtrot. With the additional personnel found on this album add more texture to all the songs in a positive way, including this very epic. So what do I think? Its packed with amazing songwriting, great sound structure, big production, and of course intense playing. I have absolutely no problem with this epic in the slightest, it is extremely well written, and with careful and excellent production. 20/20

Higher Ground, a very Spocks Beard-esc track with a symphonic test. Is this as good as the 24 minute epic leading off this track? No but its definitely worth listening to, just a fun 10 minute track with a Spocks Beard like twist with the, of course, symphonic progressive sound. 8/10

Steer by the Stars, another Beatles track with the symphonic twist, less prog but more psychedelia. A very good track, catchy and soft, well written yet again. 4.5/5

Traveling Minds, this tracks sounds like something that came right out of The Rainmaker by The Flower Kings. Still great but feels like this is song was just written without any new identity. 4/5

God, the Universe and Everything Else No One Really Cares About: Part 2, the second part of the great masterpiece of an epic, the second piece of the puzzle, this end of this wonderful album. I feel this song closes both the epic and album perfectly. 5/5

Total Grade: 46.5/50 Percentage: 93%

Essential: a masterpiece of progressive rock music.

 Dwellers of the Deep by WOBBLER album cover Studio Album, 2020
4.50 | 159 ratings

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Dwellers of the Deep
Wobbler Symphonic Prog

Review by ComaEcliptic

5 stars Wobbler returns from 4 years of touring and writing, teasing and otherwise with a starstriking 9 minute single entitled "Five Rooms" in which they explore the Yes sounds of albums resembling "Close To The Edge" and "Relayer". Of course I find this album very derivative, copying what Yes did, but I don't think its because they are trying to be a Yes clone, I think they are taking the sword, filling in for what Yes simply can't do as of now. So what does this 45 minute album hold? Two epics, One eight minute track, and One 4 minute acoustic track. Shall we start unpacking?

By The Banks, the weakest track in my opinion. I think it does well trying to sound like Yes, but I found the production slightly weaker on this track, the flow of the track overall was fairly moderate but still had amazing moments that kept it interesting. 11/15

Five Rooms, Probably my favourite track on this album and the single released to promote the album. Very Yes, but also very Wobbler. I like the instrumentation on this song, the vocals here are some of Wobbler's best vocal work on any album. 10/10

Naiad Dreams, yet another Yes track that sounds like the beginning of stuff like "And You and I" but very pleasant. Well done. 5/5

Merry Macabre, 19 minutes that might as well be Wobbler's version of the title track of Close To The Edge. The originality isn't really there but its still an incredible track, I'm not going to discredit it. I found all 19 minutes of this epic very digestible and easy listening to any prog-fan. Me personally, I love how this song sounds, the structure is exactly how Yes would write an epic of this length. The vocal work is still top notch of Wobbler and we have a mix that fits the song. 19/20

I actually like how Yes this album is, it provides an outlet for Yes fans that can listen to what they want Yes to be. So ... time for grading!

Total Grade: 45/50 Percentage: 90%

Essential: a masterpiece of progressive rock music.

 Halloween by PULSAR album cover Studio Album, 1977
4.03 | 175 ratings

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Halloween
Pulsar Symphonic Prog

Review by Muskrat

5 stars A masterful job !

I can easily understand that this album has disappointed many listeners. Such was the case with me, upon his discovery: "How? This thing, a masterpiece? It's a joke! " I did not understand. At the time, Yes was the pinnacle of prog. That is to say a complex music, performed by virtuosos. I kept Halloween for many years and I did well! Because almost thirty years later, by chance of my replaying, I finally grasped all the content.

The intro displeased me for a long time, if only because of some imperfection in the voice. Now, I understand that this imperfection is due to the youth of the performer (Sylvia Ekstr鰉 was 7 years old!), and that this youth perfectly serves the purpose that the members of Pulsar had set for themselves.

Pulsar offers us a perfectly mastered work. The music is soft, subtle, melancholy and charged with emotion. (The middle section of Part 2, for example, touches the sublime.) The instrumentation is rich. In addition to traditional rock instruments, we hear piano, flute, clarinet and cello. The composition offers a series of admirably interwoven fluid movements and the final is beautiful. Special mention to the drummer who not only accompanies but actively participates in the atmosphere. While remaining discreet, he delivers us unconventional rhythms, bordering on polyrhythm.

Undeniably, the best French prog work and a must in the world of prog history.

 Marshmallow Moondust by KALUGIN, ANTONY album cover Studio Album, 2020
4.32 | 67 ratings

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Marshmallow Moondust
Antony Kalugin Symphonic Prog

Review by ComaEcliptic

3 stars So my first review here and it happens to be on the new solo album from Karfagen's mastermind, Antony Kalugin. What is there to be heard on this album? Two 20 minute epics, clean production, and some derivative, yet good songwriting. Antony Kalugin keeps his Symphonic Prog train rolling by sounding like an instrumental The Flower Kings and Camel cross sounding album. The keyboard solos show Peter Bardens like qualities, Steve Hackett/Roine Stolt type guitar playing, and chord structures that resemble the seventies prog style. In my eyes, this album definitely has its moments, however the songs don't stick to anything solid long enough. When gold is finally struck, the songs found don't hold onto that found gold long enough. There is too much wavering and not enough to keep you one hundred percent interested. A few things that I think could've improved this album, vocals, and extra acoustic tracks between the two epics. This album could've gone really far if it had vocals, and a few acoustic tracks, but there isn't anything I can personally grasp to.

Marshmellow, the first half title track has a more pastoral vision but yet again, is a bit robotic in places, very well produced but has a bit of a derivative sense. Good solos, great production again, but yet again as I have stated, there isn't much to cling to. 11/20

Moondust, the last half title track is a bit busier than the first half, great production, again a bit robotic, and once again a bit derivative. Good solos again, but, and I feel like a broken record, it doesn't have much to cling to. I do think this is an improvement over the first half, I like the more busy aspect with the pastoral/nostalgic sound. 15/20

Score: 26/40 Percentage: 65%

Good, but non-essential.

 Anderson Bruford Wakeman Howe by ANDERSON - BRUFORD - WAKEMAN - HOWE album cover Studio Album, 1989
3.22 | 361 ratings

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Anderson Bruford Wakeman Howe
Anderson - Bruford - Wakeman - Howe Symphonic Prog

Review by SteveG

3 stars This album gets quite a mixed reception by prog fans, unfortunately. It's certainly not in the vain of early classic Yes albums like Fragile or Close To The Edge. I don't think that was the intention of Jon Anderson, Bill Bruford, Rick Wakeman, and Steve Howe when they reunited to record this album, so they get a pass in that regard. Anderson had grown weary of the short song pop direction of Yes over their last albums, 90125 and Big Generator, and wanted to return to longer multi suite songs, and this album does indeed have them.

As far as the actual sound of the album, it is not light years away from those pop oriented Yes albums courtesy of Bruford's electronic drums, Wakeman's 80's synth tones and guest bassist Tony Leven's plodding playing. What is different is that the songs are just better than those found on Yes's last album Big Generator and Anderson's peace and love themed lyrics are presented in mostly high energy formats with "First Of Fire", "Brother Of Mine", "The Meeting", "Quartet", and 'Order Of The Universe" being infectious sing along anthems. The only big misstep here is the over the top Latin and Caribbean inflected "Teakbois", which naturally comes off as corny, but is light years better than "Illegal Alien" by Genesis.

With a string of solid, if not classic songs, Anderson - Bruford,- Wakeman - Howe is firmly a 3 star album, but it's upbeat optimism helps to put it's rating a half star higher. In the modern climate of this world that's a very welcome attribute. 3.5 rounded down to 3.

 Nattfiolen by JORDSJ?album cover Studio Album, 2019
4.06 | 233 ratings

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Nattfiolen
Jordsj?/a> Symphonic Prog

Review by higi88

4 stars What a journey this album is, another fantastic example of how grand the Norwegian prog world is, this is one of those albums that just keeps you hooked and does not let go. From the first note of this album you know that you are on one hell of a ride. Stiffener has that majestic opening and it leads to a beautiful acoustic guitar, mellotron, flute and calm vocals from H錵on Oftung and then at the end we get a truly fantastic eclectic/symphonic part. Solens Sirkul鎟e Sang is a beautifully written piece, dark and melancholic seven minute ride. Til V錼en and Ulvenatt continue with the sound that this album carries throughout, brilliantly composed pieces filled with symphonic, folk and eclectic sounds. Mellotron, Hammond, flute, fantastic guitar tone and all of the above- mentioned make this album a must have for all prog fans. 4,5/5
 The Carpet Crawlers 1999 promo CD by GENESIS album cover Singles/EPs/Fan Club/Promo, 1999
2.89 | 38 ratings

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The Carpet Crawlers 1999 promo CD
Genesis Symphonic Prog

Review by FalconBleck

1 stars #45 Review

At first this version seems innofensive until the weird percussion, digital effects and piano become more prominent, i really dislike this version, if this sound is what was going to be for Genesis to re-release the old stuff or to make new music, i'd rather they not.

Its as if The Carpet Crawlers became infected by every sin commited musically on the 90s, at the peak of Phil and Peter being annoying with voice fills and where they both where doing this heavily reggae/electronic low uninspired slow... bad music. At the same time, this version has almost no direction where it tries to go, it is clearly just a bunch of instrumental parts meshed together however the engineers/mixers wanted it, people that had no idea about music, zero respect for the original version while also being unoriginal by copying trends, the only thing that could've made this worse is if they added rapping.

At the end of the day is still Carpet Crawlers... or is it? We have an incomplete version here that misses a verse, the very prominent keyboard on the original piece that was composed on a keyboard is almost completely absent, this version lacks the energy of the original and by the end, the lyrics and basic structure become just second place, the entire composition has been drained of its life.

You can't get lower than this in my standards, i give it a 4/100, i would give it 0 Stars, as a fan i didn't enjoy it and it seems that the majority didn't either, this release floped hard on every department imaginable, literally no one wants it.

 Gialorgues by SHYLOCK album cover Studio Album, 1977
3.75 | 86 ratings

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Gialorgues
Shylock Symphonic Prog

Review by Muskrat

5 stars Unclassifiable masterpiece !

The Nice scene at the end of the 70th produced several progressive rock groups: Step Ahead, Edhels, and Shylock, in my opinion the most interesting. The album Gialorgue was initially self-produced before being accepted by a record company a year later, which excuses the poor sound quality. For the record, the Shylock trio (keyboards, guitar / bass, drums) had gone to seek inspiration in the wild valley of Gialorgue, perched between 2000 and 3000 meters above sea level, in the Mercantour park. They composed and arranged the titles in the church of St Dalmas le Selvage, the nearest village. The front and back of the cover represent these sources of inspiration. Many have compared Shylock with King Crimson, because of the fantastic guitar playing of Fr閐閞ic L'蓀閑 and the use of multiple bizarre percussions (tubes, bells, musical saw, seized roll, etc.) of drummer Andr?Fisichella that make you think to James Muir. On this subject, there is one that I still have not identified! A sort of noise which resembles the clicking of a freewheel on a bicycle but which is not, since this percussion is found at a given moment, thrown to the ground like a bag. Does somebody have an idea ? Well, I still only half agree with this comparison because Shylock offers rather repetitive instrumental music with slow developments where the influence of classical music predominates. This is not the case with King Crimson, sung music, more influenced by Jazz and rock. (The closest track would be The Devil's Triangle.) Another comparison comes to mind. It has not been raised by anyone so far. These long repetitive sequences with multiple variations and a rich sound register remind me of what Mike Oldfield proposed a few years earlier. Sorry if the comparison seems incongruous to you, but I want to!

In my life as a music lover, Gialorgue has established itself over the years as an essential piece in the history of French and international prog. And the poor sound quality will not prevent me from giving it a well deserved five stars! (After all, we didn't care for the Bird & Buildings albums ...)

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Symphonic Prog bands/artists list

Bands/Artists Country
21. PERON Turkey
35 TAPES Norway
5BRIDGES Netherlands
7 OCEAN Belarus
ABBHAMA Indonesia
ABSTRACTION LAYER Brazil
ACCENT Romania
ACHE Denmark
ACUITY United States
AD ASTRA United States
ADVENTURE Norway
AETHER Brazil
AFTER CRYING Hungary
AFTER THE FIRE United Kingdom
AGNUS Argentina
AGNUS GRAAL Brazil
AIRLORD New Zealand
AJALON United States
AKACIA United States
ALAMEDA Spain
ALASKA United States
ALBATROSS United States
ALL TRAPS ON EARTH Sweden
ALMS Spain
ALPHA CENTAURY France
ALPHA III Brazil
ALTER ECHO Sweden
LEON ALVARADO United States
SERGIO ALVAREZ Argentina
AMAGRAMA Argentina
AMENOPHIS Germany
AMOS KEY Germany
AMUZEUM United States
ANABIS Germany
ANCIENT VISION United States
ANDERSON - BRUFORD - WAKEMAN - HOWE United Kingdom
ANDERSON / STOLT Multi-National
ANGE France
ANGIPATCH France
腘GLAG臨D Sweden
ANIMA Argentina
ANIMA DOMINUM Brazil
ANIMA MORTE Sweden
ANIMA MUNDI Cuba
ANOXIE France
ANTARES Germany
ANYONE'S DAUGHTER Germany
APH蒐ANDRA France
APHRODITE'S CHILD Greece
APOCALYPSE Brazil
AQUAPLANAGE United Kingdom
ARABESQUE United States
ARACHNOID France
ARCABUZ Spain
ARION Brazil
ARS NOVA (JAP) Japan
ARS PRO VITA Brazil
ART IN AMERICA United States
ASA DE LUZ Brazil
XAVIER ASALI Mexico
ASIA MINOR Turkey
ASTR?/a> United States
ASTURC覰 Spain
ATILA Spain
ATLANTIS PHILHARMONIC United States
ATLAS Sweden
ATMOSPHERA Israel
ATOLL France
AUTUMN United Kingdom
AUTUMN BREEZE Sweden
AVIVA (AVIVA OMNIBUS) Russia
AXCRAFT United States
AZABACHE Spain
BABYLON United States
BACAMARTE Brazil
BANAAU / HOLLOWSCENE Italy
BANANA Argentina
BANZAI Belgium
ZELJKO BEBEK & PODIUM Yugoslavia
BEGGARS OPERA United Kingdom
ROBERT B蒖IAU Canada
ED BERNARD Canada
BLACK SEPTEMBER United States
BL臟ULLA Sweden
BLANK MANUSKRIPT Austria
BLEZQI ZATSAZ Brazil
BLUE SHIFT United States
TOMAS BODIN Sweden
BONDAR & WISE United States
LARS BOUTRUP'S MUSIC FOR KEYBOARDS Denmark
BOX OF SHAMANS United States
BILL BRESSLER United States
BRIMSTONE United States
BURNING CANDLE Germany
BUSKER Canada
CAF上NE France
CAI Spain
CAIRO United States
CAJA DE PANDORA Mexico
CAL Spain
CAMEL United Kingdom
LOS CANARIOS Spain
CANNABIS INDIA Germany
CARAVELA ESCARLATE Brazil
ALEX CARPANI BAND Italy
CAST Mexico
CATHEDRAL United States
CELLAR NOISE Italy
CHAKRA United States
CHALCEDONY United Kingdom
CHAOS CODE United States
CHRONOS MUNDI Brazil
JOS?CID Portugal
CINEMA Japan
CIRCLE Germany
THE CIRCLE PROJECT Spain
CIRKUS Canada
CITIZEN CAIN United Kingdom
CLEARLIGHT France
CODA Netherlands
C覦ICE Mexico
COLLEGIUM MUSICUM Slovakia
COT?EN P萀 Spain
COUSINS AND CONRAD United Kingdom
COVENANT United States
CRACK Spain
CRAFT United Kingdom
CRESSIDA United Kingdom
CRONICO Mexico
CROOKED MOUTH United Kingdom
CRUCIBLE United States
CRUCIS Argentina
CZYSZY Poland
DAWN Switzerland
DEJA-VU Japan
DELUGE GRANDER United States
DIALOGUE (DAWN DIALOGUE) Ukraine
DIAPAS肙 Brazil
DISCIPLINE United States
DOCMEC Switzerland
DOGMA Brazil
DORACOR Italy
DR. COENOBITE Netherlands
DRAGONFLY Switzerland
DRAMA France
DRUCKFARBEN Canada
DRUID United Kingdom
EARTH AND FIRE Netherlands
EARTHRISE United States
ECCENTRIC ORBIT United States
ECHOLYN United States
ECLAT / ECLAT DE VERS France
ECLIPSE Brazil
EDEN Canada
EGGROLL Israel
EIEMEL Argentina
EIK Iceland
ELLESMERE Italy
ELOHIM France
ELOITERON Switzerland
EMERSON LAKE & PALMER United Kingdom
REDJY EMOND Canada
ENGLAND United Kingdom
THE ENID United Kingdom
EPIDAURUS Germany
EPIGNOSIS United States
EPISODE United States
EQUILIBRIO VITAL Venezuela
ESP蚏ITU Argentina
ESTRUCTURA Venezuela
ETCETERA Denmark
蒚ERNIT?/a> Canada
ETHOS United States
EVERFRIEND United States
EX-LIBRIS Canada
EX-VAGUS France
EXODE France
EXODUS Poland
EZRA WINSTON Italy
FAITHFUL BREATH Germany
FALLING EDGE Canada
FANTASY United Kingdom
FARMHOUSE ODYSSEY United States
JAROD FEDELE United States
FICCI覰 Venezuela
FINCH Netherlands
FIREBALLET United States
FIRST AID United Kingdom
FLAGSHIP Sweden
FLAME DREAM Switzerland
FLAMING BESS Germany
THE FLOWER KINGS Sweden
FL蹽HT Mexico
FLYTE Belgium
FOCUS Netherlands
FOREVER TWELVE United States
THE FOUNDATION Sweden
FR罣IL Peru
FRIGHT PIG United States
FROMAGE Japan
FRUUPP United Kingdom
FUSONIC Netherlands
G.A.L.F. Brazil
GALASPHERE 347 Multi-National
GALI?/a> Mexico
GENESIS United Kingdom
GENS DE LA LUNE France
THE GIFT United Kingdom
GLASS United States
GLASS HAMMER United States
G襎IC Spain
GOVEA Mexico
GRACIOUS United Kingdom
GRANADA Spain
GRAND STAND Sweden
GRANDBELL Brazil
CLAY GREEN'S POLYSORBATE MASQUERADE BAND United States
GREENSLADE United Kingdom
GREYFIELD Spain
GROBSCHNITT Germany
SHAUN GUERIN United States
GUILDENSTERN Germany
HALLOWEEN France
HANDS United States
BO HANSSON Sweden
HARLEQUIN MASS United States
MARIANO HAYON Argentina
HECENIA France
HELIOPOLIS United States
ANDERS HELMERSON Sweden
HIGH WHEEL Germany
TERUTSUGU HIRAYAMA Japan
HOGGWASH Ukraine
HOKUS POKUS Norway
LYLE HOLDAHL United States
HOLDING PATTERN United States
HOLY LAMB Latvia
HORIZONT Russia
HOT FLASH United States
HYACINTUS Argentina
I.C.U. Germany
III MIL蔔IO Brazil
ILVCIA Spain
IN SPE Estonia
INDEX Brazil
INDIGO Germany
INFINITY United States
THE INNER ROAD United Kingdom
INQUIRE Germany
JACK INTVELD United States
INVISIBLE Argentina
IRON DUKE Denmark
ISILDURS BANE Sweden
ISOPODA Belgium
IZZ United States
JELLY FICHE Canada
BJ諶N JOHANSSON Sweden
JORDSJ?/a> Norway
KAIPA Sweden
KAIPA DA CAPO Sweden
KAIZEN Brazil
KALABAN United States
KALO Japan
ANTONY KALUGIN Ukraine
KANSAS United States
KARDA ESTRA United Kingdom
KARFAGEN Ukraine
KARMAKANIC Sweden
KHATSATURJAN Finland
KING EIDER Netherlands
KLOCKWERK ORANGE Austria
KOGAION Romania
KORNMO Norway
KOTEBEL Spain
KVAZAR Norway
KYRIE ELEISON Austria
LADY LAKE Netherlands
LANVALL Austria
L罳UESIS Argentina
LAZA I IPE Yugoslavia
LEGACY United States
LEGACY PILOTS Germany
LEI SECA Brazil
LEITMOTIV Canada
LETHE Netherlands
FRANCIS LICKERISH United Kingdom
LIFE LINE PROJECT Netherlands
LIFT United States
P腞 LINDH AND BJ諶N JOHANSSON Sweden
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