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CROSSOVER PROG

A Progressive Rock Sub-genre


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Crossover Prog definition

Crossover Prog contains progressive rock music that, though 100% progressive, may have a musical connection to popular music-- whether it be the lack of emphasis on extended compositions, or an influence from mainstream music in addition to classical, jazz and folk. Compositions, however, still exhibit a high degree of sophistication, sometimes outright complexity, and the musicianship and virtuosity is often on a par with established Prog acts. Much like their kin in the established prog sub-genres, these groups will incorporate many major parts of what defines prog rock: the fusing of rock with the structures and discipline of more traditional musics, the use of syntheisizers and new technologies, intelligent thematics, and the expansion of the form.

The defining characteristics of Crossover Prog are a pop music influence that is largely vacant in typical prog rock. Songs tend toward shorter, more concise presentations though still reach beyond the typical verse, bridge, chorus pattern. The harmonic, melodic, and rhythmic structures may be more easily digested in Crossover while not losing the musical integrity that a prog listener expects. Whereas Prog Related bands are generally commercial groups with certain prog elements or players that were involved in prog acts, Crossover Prog artists are predominantly progressive with elements of popular music.

The most representative examples for this genre include The MOODY BLUES, SUPERTRAMP, DREDG, CINEMA SHOW, RADIOHEAD.

- written by micky (Michael) and Chus (Jesus)

Current team members:
as at 19/4/2020

Scott (Evolver)
Keishiro (DamoXt7942)
Cristi

Crossover Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Crossover Prog | More Top Prog lists and filters

4.31 | 1668 ratings
CRIME OF THE CENTURY
Supertramp
4.30 | 1582 ratings
HAND. CANNOT. ERASE.
Wilson, Steven
4.30 | 1387 ratings
OMMADAWN
Oldfield, Mike
4.28 | 2147 ratings
THE RAVEN THAT REFUSED TO SING (AND OTHER STORIES)
Wilson, Steven
4.22 | 1005 ratings
DOOMSDAY AFTERNOON
Phideaux
4.19 | 1794 ratings
GRACE FOR DROWNING
Wilson, Steven
4.20 | 909 ratings
PETER GABRIEL 3 [AKA: MELT]
Gabriel, Peter
4.20 | 851 ratings
SNOWTORCH
Phideaux
4.19 | 1064 ratings
ENGLISH ELECTRIC (PART ONE)
Big Big Train
4.18 | 860 ratings
DAYS OF FUTURE PASSED
Moody Blues, The
4.17 | 769 ratings
THE UNDERFALL YARD
Big Big Train
4.17 | 466 ratings
HOUNDS OF LOVE
Bush, Kate
4.16 | 406 ratings
SPIRIT OF EDEN
Talk Talk
4.12 | 1199 ratings
TUBULAR BELLS
Oldfield, Mike
4.14 | 562 ratings
~
Iamthemorning
4.26 | 138 ratings
SON
Obiymy Doschu
4.11 | 611 ratings
NIGHT
Gazpacho
4.10 | 844 ratings
ENGLISH ELECTRIC (PART TWO)
Big Big Train
4.20 | 174 ratings
THE SHAMING OF THE TRUE
Gilbert, Kevin
4.27 | 105 ratings
THE EDGES OF TWILIGHT
Tea Party, The

Crossover Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Crossover Prog experts team

PRE-EMPTIVE FALSE RAPTURE
Chrome Hoof
BROKEN CHINA
Wright, Richard
VOICE
Capability Brown
NARROW-CASTER
3RDegree

Latest Crossover Prog Music Reviews


 Not All Those Who Wander are Lost by BRONS, DAVE album cover Studio Album, 2020
4.62 | 9 ratings

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Not All Those Who Wander are Lost
Dave Brons Crossover Prog

Review by tszirmay
Special Collaborator Honorary Collaborator

5 stars Every year, there are a few surprising, out of the blue and frankly world-class prog releases from lesser-known artists or bands that really keeps the flame of discovery alight. The wretch of 2020 is no exception, as I had heard of guitarist Dave Brons on the "Celestial Fire Live in the UK" 2017 release from Dave Bainbridge, a thoroughly exceptional masterpiece in an audience setting. My expectations were not very focused but I caught myself looking up regularly with a huge grin of surprise and contentment, the very first listen, a rather rare event. "Not All those who Wander Are Lost" is a colossal monument to inspired Celtic-tinged prog-rock in the fine tradition of bands such as Iona, Colin Masson, The Morrigan, Dave Bainbridge solo etc..., a style I particularly love, as Irish/Scot and otherwise Celtic traditional music has an aura of melancholia that just cannot be denied, especially when blended with rock and prog tendencies. Most of the usual suspects are present to lend a hand or a lung, starting with Bainbridge who delights in mixing and playing keys and guitar. Sally Minnear of Celestial Fire sings brilliantly throughout, and Iona's Frank van Essen adds violin to a few tracks. Newcomers Catherine Ashcroft on Uillean pipes and various whistles, John Biglands on drums, bassist Daniel Day and pianist Mark Swift are all major contributors, as well as a large selection of woodwinds, brass, and flutes.

The theme is Middle Earth and Tolkien, probably the most overt prog influence of all, but fear not, this is not laden with endless narration (there are some wee bits here though) and maudlin orchestrations, as the tracks and arrangements pack quite a punch, verging at times on metallic riffs propelled by huge choir work, delicate piano motifs and lots of variety in the voice department (from spoken word, to whispers, to tranquil singing and finally out right belting). Dave Brons plays guitar with indisputable passion and elegance, putting his considerable talents on display, but the remainder of the band are no slouches, as the bass carves impressively, in sync with superb drumming and that ornate piano hitting all the emotive buttons. The biggest thrill on this recording and its number one asset is the unrelenting contrast between the gently reflective moments and the buildups to immeasurable symphonics that verge on bombast. Case in point: the achingly beautiful "Under the Same Sun" that starts out misty and serene, eventually evolving into sheer sonic magnificence, with a sizzling, over the top, guitar solo, a wild violin rant from Van Essen, dabs of pipes and whistles. All 14 pieces contribute to the whole much like a well-chaptered book, each one a mini jewel, tumbling forward at a prefect pace, keeping the listener transfixed and with bated breath. Yes, it can get "whole lot of Irish" with traditional swerves such as on pieces such as "Ea", "Into the Perilous Realm", "Awakened by Starlight" or "The Shire" but when Brons kicks in with a blistering lead, you know that your ears are quite satisfied! The thunderous choir work throughout, courtesy of Maria Mullen and the Yorkshire Chorus, adds considerably to the organic spirit of the music.

The soft moments are simply breathtaking as Mark Swift's majestic piano weaves a sorrowful path, such as on the mournful "A Prayer for the Fallen ", or the deft Brons acoustic guitar intro to "The Ring Bearers "before the piano and voice enter the fray, and the subsequent build up into an explosive expanse. The stunningly haunting piano reappears on "The House of Healing" before that morphs also into utter bravado. The feverish pieces are sensationally blitzed and desperate, such as on "Ea" with rapid-fire cannonades from all the soloists, mainly Brons who can rip with the best of them but kudos the Irish pipes as well, especially when the two get to duel as on the "The Riders of Rohan". On "Minas Morgul", the symphonics are cleverly crafty, solidly buoyed by enormous bass and drum support, almost a "Kashmir meets Carmina Burana" feel giving Brons the platform to blaze on guitar with Satriani-Vai-Holdsworth influenced licks.

The final two tracks really aim for a crescendo of emotions in consecrating the merits of this incredible recording, that covers the entire spectrum of sound and fury, the deliberately clever weaving of contrasts and styles. In perhaps typical fashion, the end comes with an anthemic, choir-infested farewell, as the glorious "White Shores and A Swift Sunrise" put this one ever so gently to bed. This album is absurdly entertaining, with an infinite sense of fairy tale magic, propelled by commitment, power and passion. No mush, no filler, no weak patching the blanks with needless notes. As such, this masterpiece is in my top 10 of 2020 releases, without the slightest hesitation.

5 Unearthed travellers

 Generation 13 by SAGA album cover Studio Album, 1995
3.95 | 155 ratings

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Generation 13
Saga Crossover Prog

Review by alainPP

5 stars The eleventh of the legendary albums of the Canadian group which in just a few records has revolutionized the sound and the progressive energy of rock, of rock FM! a concept album where everything is linked from the progressive futuristic intro, the sequences of the other tracks to the big final titles tinged with a progressive atmosphere. Over time, a reminder is needed, especially since I had neglected to talk about it until now, prog on! . More FM-style rock songs for the radio and buffered sounds with solo microphones during the verses, a progressive must, a far too little-known concept album, far too underground that has its place in my opinion with the best concept albums of all time , almost a Misplaced Chidhood certainly. 70 minutes of fairly short but therefore linked tracks that send you into the progressive musical stratosphere, an album that only gives you one desire, that of putting back the replay. A memory, of having seen them during their tour following its release, of being amazed at the first notes of the intro, but quite disappointed to have understood three songs later that we would not have more of this dique during the concert.

A musical boost that will not follow, the group resuming its faults to offer records that are alike from the next.

 Worlds Apart by SAGA album cover Studio Album, 1981
3.67 | 256 ratings

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Worlds Apart
Saga Crossover Prog

Review by alainPP

4 stars The fourth of the 4 mythical albums of the Canadian group which in a few discs revolutionized the sound and the progressive energy of rock, of rock FM! an almost concept album where everything is linked up to the two big final titles tinged with progressive atmosphere. Over time, a booster shot is necessary, especially since I had neglected to talk about it until now, prog on! The less good of the four, with a transition of the sound, the voice, more disjointed, which "turns" in circles; yes even if I am a fan, I understand that he lacks the little extra to surf following his previous colleagues. A suspended record with 2 other chapters that leaves hope.
 Silent Knight by SAGA album cover Studio Album, 1980
3.67 | 229 ratings

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Silent Knight
Saga Crossover Prog

Review by alainPP

5 stars The third of the 4 mythical albums of the Canadian group which in a few discs revolutionized the sound and the progressive energy of rock, of rock FM! an almost concept album where everything is linked up to the two big final titles tinged with progressive atmosphere. Over time, a booster shot is necessary, especially since I had neglected to talk about it until now, prog on! A title floats, the don't be late, hymn of the group, an extraordinary chapter which eclipses a little the other titles of fact. We have here a very good record with an immense title which can make think that the other titles are just average, like the stairway to heaven for Led Zeppelin.

A record that can be listened to as a concept.

 Images At Twilight by SAGA album cover Studio Album, 1979
3.18 | 217 ratings

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Images At Twilight
Saga Crossover Prog

Review by alainPP

4 stars The second of the 4 mythical albums of the Canadian group which in a few discs revolutionized the sound and the progressive energy of rock, of rock FM! an almost concept album where everything is linked up to the two big final titles tinged with progressive atmosphere. Over time, a booster shot is necessary, especially since I had neglected to talk about it until now, prog on! the winged robot on the cover was a plus at the time when you could choose an album ... with its cover. Above the first chapter with its legendary introduction to the piano. Songs more rock FM typed for the radio and sound stamped with solo microphones during the verses, a must.
 Through Shaded Woods by LUNATIC SOUL album cover Studio Album, 2020
4.09 | 120 ratings

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Through Shaded Woods
Lunatic Soul Crossover Prog

Review by lukretio

3 stars Released back in November, Through Shaded Woods is the 7th album of Lunatic Soul, the progressive rock/metal side-project of Mariusz Duda, vocalist and bass player of Polish prog-metallers Riverside. Since its inception in 2008, Duda has always used Lunatic Soul as a vehicle for releasing the more experimental sides of his music - be it ambient instrumental music, electronic-tinged rock, or acoustic folk - and Through Shaded Woods is no exception. Here, Duda pushes to the fore his acoustic and folk influences, resulting in an album that could sit comfortably in a record collection alongside Hexvessel, Wardruna or Heilung.

Differently from some of the bands named above, however, the six compositions included on Through Shaded Woods Soul maintain a distinctive rock/metal sound, as they all revolve around tight, rhythmic riffs that are not so distant from what Duda's main band Riverside use in their music. A major difference, however, lies in the instrumentation: the electric distortion that we can find aplenty on Riverside's albums is almost entirely absent here - bar the use of sporadic distorted bass lines, like on "The Passage" and in the second-half of "Summoning Dance". Acoustic guitars, bass and piano dominate the scene instead, giving the album a very sedated and intimate feel. There is also a greater emphasis on folk-infused themes, with several songs displaying a traditional dance-like character. This is further accentuated by the use of simple beats and percussions that impart a ritualistic feel to the songs. Sporadically, keyboard interjections and sound effects are used to add depth and color to the music, but for the most part the backbone of the songs is kept unplugged and low key.

The simple background is ideal to let Duda's unmistakable voice shine and take centre stage. His melancholic, heart-on-the-sleeve performance perfectly complements the music and reaches a high-point on the spending closing track "The Fountain", which is perhaps one of the most moving songs ever written by Duda. There are also beautiful multi-layered vocal harmonies throughout the album - a distinctive trait of Duda's songwriting that is even more prominent on this record. Also notable is Duda's choice to play all instruments himself on the album. Despite the inevitable simplification in the arrangements of some instruments (most notably, the drums/percussion), the choice actually pays off as it gives the album a more intimate and natural feel that matches well the record's general spirit.

Overall, Through Shaded Woods is another successful chapter in Mariusz Duda's remarkable career. It's a delicate and intimate album that, although it does not have the impact and power of some of Riverside's best albums, possesses a unique, hypnotic allure that keeps drawing me back for more. Duda's one-man side-project Lunatic Soul may have stayed off the radar of most metal fans, but you should give Through Shaded Woods a try, especially if you are into acts that sit at the intersection between metal and experimental neo-folk music.

(Originally written for The Metal Observer)

 Bernard & P鰎sti: Gulliver by SAMURAI OF PROG, THE album cover Studio Album, 2020
3.84 | 112 ratings

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Bernard & P鰎sti: Gulliver
The Samurai Of Prog Crossover Prog

Review by prog_traveller!!

4 stars The samurai of prog is a brainclind of Finland-based Italian composer and bassist Marco Bernard and since 2011 the band has delivered fantastic prog. In 2020 Marco Bernard and Kimmo P鰎sti were really busy delivering fantastic music with four albums released, which featured various musicians.

BERNARD & P諶STI - GULLIVER at the beginning delivers an instrumental Overture XI dominated by heavy Hammond and switches in tempo from roaring keys to calm sequences led by melodic guitar solos.

Lilliput Suite is the longest track on the album and it introduces flute, violin, and trumpet. Everything about this piece delivers fantastic symphonic prog with beautiful melodies and complex passages.

The entire album is a prog rock gold filled with confidence and brilliant musical expressions.

 Versions of the Truth by PINEAPPLE THIEF, THE album cover Studio Album, 2020
3.52 | 88 ratings

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Versions of the Truth
The Pineapple Thief Crossover Prog

Review by prog_traveller!!

1 stars The Pineapple Thief album Versions of the Truth represents a further departure from any progressive sound and continues to deliver lifeless pop/rock songs with the influence of alternative rock sound. The band took a safe path and more direct approach on this album and trough out is lacking diversity and it feels less focused and rushed.

Is this even a prog rock release, for me no, there is no epics, no memorable parts, no far-reaching solos not one bit of boldness in music just a pop rock album.

This album for me represents one more step backward and I really don't think I will pay any attention to this band anymore.

 Tutto il Tempo del Mondo - 1.騣kos by METRONHOMME album cover Singles/EPs/Fan Club/Promo, 2020
3.13 | 7 ratings

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Tutto il Tempo del Mondo - 1.騣kos
Metronhomme Crossover Prog

Review by octopus-4
Special Collaborator RIO/Avant/Zeuhl,Neo & Post/Math Teams

3 stars ...di una moneta che cade.

At the very first listen I had to wait for this song before something clicked in my mind, but I don't regret having waited enough, as with the following listens all the tracks deserved to be listened to.

What clicked is the similarity, at least what I think is a similarity, with the experimental side of Franco BATTIATO. So, having in mind something to be used as a key for the listening experience, I later appreciated the whole EP.

I (still) don't know the previous works of Metronhomme, so I can't say if this is different. For sure having composed, performed and recorded it by exchanging files via network during the lockdown must have had its impact on the overall process.

But let's speak about the music: Quarantine is a short instrumental mainly based on electric piano and keys. A bit jazzy with electronic percussion which are not sequenced but "played by hands" as the drummer Andrea GHEZZI proudly states on the bandcamp page. Short and light, not as dark as a quarantine can be. Come La Neve (As the snow), has lyrics and a lazy tempo. It gives me the idea of a naif painting or a b&w photograph. Very atmospheric.

As already said, "..di una moneta che cade" is my favorite track here. Experimental in the choice of sounds, with that bit of electronic which is not too invasive, so that the track can show its structure and continuity. But there is continuity throughut the whole EP. The sounds and the lazy tempo of the tracks, even when it gets more rhythm as in this one, are consistent with a dreaming soundscape. It gives the idea of a very unusual situation, like in some dreams, but far from being a nightmare.

"Supermarket" is very interesting. Experimental again, with the weird female voice speaking of trivial things like her favorite supermarket. The banality of daily life even during the pandemic.

Arkhe' is a greek word, meaning "beginning" or even "ancient". "Ark" derives from it. A piano based track, similar in some ways to the album opener. I'm not able to say what language is spoken below the music. Arabic or Russian?

Il rumore del Mare (The sound of the sea) is a proper song and the lyrics are about the strange summer of 2020. "L'estate dipinta su un muro" means "Summer painted on a wall". Curiously, "Son y Myr" (sound of sea) is one of the few things that I know in Welsh. Nothing to do with the album, which is closed by the darkest track: La citta' di K. (The city of K,) which I suppose has something to do with Franz Kafka. I wonder whether the SciFi sound in the first part of the track is a theremin.

Not "essential" in the progarchives sense, but surely not wasted time. About 25 minutes of dreamy soundscapes and the intention of digging the Metronhomme music further.

Note: 3 PA stars can have a different meaning if instead of "good but not essential" it's read as "not essential but good". And good is what I mean.

 While Time Disappears by OUR OCEANS album cover Studio Album, 2020
3.94 | 7 ratings

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While Time Disappears
Our Oceans Crossover Prog

Review by nick_h_nz

4 stars [Originally published at The Progressive Aspect]

Our Oceans, as some may know, came from the ashes of Exivious. Well even that's not quite true, as Our Oceans was originally envisaged as being a one-off side project, and Exivious was reduced to ashes only after Tymon Kruidenier abandoned that band after realising he didn't want to return to being "just" the guitar player. This history is somewhat important, as this sophomore album from Our Oceans is a very different beast to the debut. And for that, I'm quite glad, as when it was first announced that Exivious existed no longer, and Our Oceans would be continuing, I was quite disappointed. Not that I don't like the debut Our Oceans album by any stretch of the imagination, but I do far prefer the music of Exivious. Their blend of metal and jazz fusion instrumentals easily trumps the more mellow and dreamy Our Oceans debut for me.

Our Oceans came from Tymon's desire to release a song-based album, and was initially a collaboration between him and Noora H鋕kinen. However, creative differences meant Noora left before completion of the album. Well, I say before completion, but by all accounts the album was more or less complete, apart from vocals, and Tymon took these on himself. However, rather than this one- off side project getting Tymon's song-based writing out of its system, and after the end of Exivious, Our Oceans has been streamlined to a trio for While Time Disappears. And that's just the beginning of the changes!

Opening track and lead single Unravel is well titled, as within seconds any thoughts that this might be a continuation of the sound of the debut are unravelled. It sets the stall here, definitively stating that this will not be another mellow and dreamy affair. The song has its origins in the time when it remained uncertain whether it would be Exivious or Our Oceans which became the future, and that shows. This song has more than a little feel of Exivious about it. It's clear there will be more aggression on While Time Disappears, more of the metal that wasn't really present on the debut. As the album progresses, it also becomes obvious that the band is worrying far less about keeping within clear boundaries of any one style. The debut gave the impression that Tymon had envisioned a firm foundation to work on, with well planned blueprints of what to build upon them, so that the whole seemed somewhat constrained. While Time Disappears, however, seems more like it was built from only rough outlines, and although Tymon may still have had a map, he was happy taking whatever direction felt right at the time. It all feels more natural and fluid, and yet still an entirely cohesive listen.

Weeping Lead follows, and immediately pulls back to less beast and more beauty. If Our Oceans was Tymon's idea of creating song- based material, this is proof that he's taken it one step further, into singer-songwriter territory. Throughout the album I'm reminded of troubadours such as Nick Drake and Tim Buckley (though Tymon, vocally, probably sounds more like Jeff than Tim). The song changes halfway through, and Yuma van Eekelen sounds great on the drums. I love his playing throughout, and though Jasper Barendregt is a great drummer as well, there is no doubt in my mind that Yuma is the right man for Our Oceans. His drumming is definitely a highlight for me.

But I also have to make particular note of the playing of Robin Zielhorst on bass, who has played with Tymon in Cynic and Exivious, as well as Our Oceans, and his interplay with Tymon's guitar playing is absolutely beautiful. Robin also more than fills the gap left from the absence of a second guitar player. The music of Our Oceans on this album feels so much more alive than that of the debut, and I think this is due to the more sparse and concise sound made from the trio, with Robin's bass work the most obvious example of this. There is honestly no need for a second guitarist on While Time Disappears.

Weeping Lead turns into something that sounds part Alice in Chains and part Mater Thallium. It's all bendy and doomy, and wonderfully heavy. Tymon's tortured vocals just before the song begins to fade into the ether are glorious. This is a standout song that was an obvious choice for a single. That the following The Heart's Whisper was also a single makes me glad I hadn't listened to any of the singles prior to the album release, as it meant they were all new to me. (I long ago gave up on listening to singles before the release of an album, as they can too easily give the wrong impression, out of context.) Again, it starts out far quieter than it ends up. The crescendos and climaxes (yes, plural) are a roller coaster of emotion that is essentially the album in microcosm.

It might seem a strange way to end a review, but these three opening songs and singles do give a very good idea of what to expect within this album. The three musicians exist in the liminal space between power trio and jazz trio, with a sound a little like Leprous meets Radiohead via The Mars Volta, with occasional Floydian overtones, playing Nick Drake and Tim Buckley, with Allan Holdsworth on guitar ? yes, I really did just compare Tymon's playing to Holdsworth ? deal with it! I may have come to this album somewhat reluctantly, knowing this band was responsible for the demise of Exivious, but I have been well and truly won over. I may originally have been disappointed to hear that Our Oceans was not a one-off, but I'm now excited at the prospect of what this band might do next. While Time Disappears makes it clear that Our Oceans do not feel at all bound by what came before, and songs like Your Night, My Dawn (probably my favourite song on the album), make it clear that nor are they bound by the present. It almost goes without saying that I'm already intrigued about where they might go next.

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Crossover Prog bands/artists list

Bands/Artists Country
17 PYGMIES United States
1974 United States
1O1 United States
22 Norway
3 United Kingdom
3 United States
3 LEGGED MONSTER United States
3RDEGREE United States
7TH KIND United States
90 DAY MEN United States
A.L.F. Brazil
A2RK United Kingdom
AARDVARK United Kingdom
AARDVARK' Finland
ABACUS Germany
ABARAX Germany
ABBFINOOSTY United Kingdom
ABIOGENESI Italy
LEE ABRAHAM United Kingdom
ABSENTE H Spain
ABSINTHE JUNK United States
ACANTHE France
ACCION ROCK BAND Spain
ACTIVE HEED Italy
THE ADDICTION DREAM United States
THE ADVANCEMENT United States
AFTER... Poland
AGATHORN Denmark
AGRABAH Argentina
EDUARDO AGUILLAR Brazil
AHOORA Iran
AKENATHON Argentina
AKIN France
AKROPOLIS Denmark
ALEPH Australia
ALIAS EYE Germany
ALL OVER EVERYWHERE United States
ALPHA LIGHTING SYSTEM Mexico
ALPHAJORGE Brazil
ALTERNATIVE 4 United Kingdom
ALUX NAHUAL Guatemala
AMAROK Poland
AMAZING MACHINE Norway
THE AMAZING Sweden
AMBERFIELD Germany
AMITY IN FAME Austria
TORI AMOS United States
AMPERA Norway
AMPHETAMIN France
ANALOG MISSIONARY United States
THE ANALOGUE United Kingdom
ANANTA Venezuela
ANAWA Poland
THE ANCHORESS United Kingdom
ANDERSON PONTY BAND Multi-National
LAURIE ANDERSON United States
ANGULART Chile
ANOTHER ROADSIDE ATTRACTION Canada
ANTARES Italy
JERZY ANTCZAK Poland
ANUBIS SPIRE United States
ANYWHERE United States
APATHEIA Czech Republic
APE AMPLITUDE Germany
APOCALYPSIS Greece
APOGEE Germany
THE APPLE ZED United States
APPLESEED Poland
APPLESMELLCOLOUR Spain
AQUA TALK Turkey
AQUACADIA United States
AQUILA United Kingdom
THE ARBORIST United States
ARCA PROGJET Italy
ARCHANGELICA Poland
ARCHIVE United Kingdom
ARCPELAGO Brazil
AREA 39 United Kingdom
ARGENT United Kingdom
ARGO Lithuania
ARID GARDEN Italy
ARNIOE Australia
BRADY ARNOLD United States
TONY ARNOLD United States
ARONORA Australia
THE ARS SUPERNOVA United States
ART BY NUMBERS United States
ART CINEMA Denmark
ART DECO Finland
ARTIFICIAL HOME Latvia
ARTLAND Israel
ARZ United States
AS FOLLOWS United States
AS TALL AS LIONS United States
ASFALTO Spain
ASGARD United Kingdom
ASIDE BESIDE France
ASIM蒚RICA Mexico
ASSUAGE United States
ASTRAL BAZAAR Finland
ASTRONOMY United States
ASZENSION Canada
ATARAXIA Japan
ATIK MAZE Portugal
ATLANTYCA France
ATMOSPHERA Brazil
AUDIAC Germany
AUDIO'M France
AUDIOCRACY Multi-National
THE AURORA OBSERVATORY United States
AUT' CHOSE Canada
AUTOGRAPH (AVTOGRAF) Russia
AUTOMATIC MAN United States
AUTUMN ABOVE United States
AUTUMN CHORUS United Kingdom
AUTUMN ELECTRIC United States
AUTUMN PEOPLE United States
AUTUMN WHISPERS Multi-National
AUXFORD Russia
AVALON Canada
AVGRUNDEN Sweden
AVIARY United States
AMADEUS AWAD Lebanon
DAVID AXELROD United States
AZURETH Multi-National
BABAL United Kingdom
BACKHAND Venezuela
BACKWARD RUNNERS Poland
BAD DREAMS Argentina
BADWATER FIRE COMPANY United States
JOE BAILEY United Kingdom
DAVE BAINBRIDGE United Kingdom
KEN BAIRD Canada
BAKU Germany
BALEIA Brazil
ANDRE BALZER France
BANDA DO SOL Brazil
TONY BANKS United Kingdom
BARCLAY JAMES HARVEST United Kingdom
THE BARDIC DEPTHS United Kingdom
THE BARDS OF ANTIQUITY United States
NICKLAS BARKER Sweden
BARNUM'S FREAK Italy
BARON United Kingdom
BARON MUNCHAUSEN Multi-National
MARTIN BARRE United Kingdom
BARROQUEJON Chile
SEBASTJAN BARTOL Slovenia
M.M. BARTULICA Bosnia and Herzegovina
COLIN BASS United Kingdom
BAT LENNY United States
BATISFERA Russia
BAUER Argentina
BE BOP DELUXE United Kingdom
BEAD GAME United States
BEAM-LIGHT Poland
DAVID BEDFORD United Kingdom
BEDU蚇OS A GAS覮EO Portugal
BELGRAD Poland
BEND SINISTER Canada
BEND THE FUTURE France
BENJAMIN'S KITE Canada
RAY BENNETT United Kingdom
BENT KNEE United States
THE BENZENE RING United States
ROBERT BERRY United States
EMILY BEZAR United States
BIG BIG TRAIN United Kingdom
BIG SLEEP United Kingdom
BIRZER BANDANA United Kingdom
BITTERTOWN Netherlands
BJ諶K Iceland
BLACK CAT BONES United Kingdom
THE BLACK LIGHT United Kingdom
BLACK MOTH SUPER RAINBOW United States
BLACK MOUNTAIN Canada
THE BLACK OF SPACE United States
BLONDIE FOX Italy
BLOW UP HOLLYWOOD United States
BLURRED VISION Canada
THE BODY POLITIC Canada
BOMBER GOGGLES United States
STEVE BONINO United States
BORAY Sweden
LINDSEY BOULLT United States
TIM BOWNESS United Kingdom
BOX OF CRAYONS United States
THE BOX Canada
THE BOY; THE BIRD & THE BEAST United States
VICTOR BRADY United States
BREATHING SPACE United Kingdom
BREZOVSKY-ROZSA Slovakia
BRIDGES Norway
BRIGHT BROWN United States
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