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NEO-PROG

A Progressive Rock Sub-genre


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Neo-Prog definition

Neo-Progressive rock (more commonly "Neo-Prog") is a subgenre of Progressive Rock that originally was used to describe artists strongly influenced by the classic symphonic prog bands that flourished during the 1970s. At the beginning of the neo-prog movement, the primary influence was early to mid-70's Genesis. Debate over when Neo-Prog actually came into being often takes place, with some asserting it began with Marillion's Script for a Jester's Tear in 1983. Others contend it began with Twelfth Night at the dawn of the 80s, while some even suggest the popular symphonic prog band Genesis gave rise to Neo-Prog with their 1976 album, A Trick of the Tail.

If one analyses the progressive movement just before 1980, then some albums which heavily influenced the Neo-Prog movement easily come to mind: Steve Hackett - Spectral Mornings, Genesis - Wind & Wuthering, Genesis - And Then There Were Three, Genesis - Seconds Out, Saga - Saga, all the Camel albums between Breathless and The Single Factor included, and some Eloy's albums, especially Silent Cries And Mighty Echoes.

This new form of progressive rock originated in the UK, and is most strongly associated with bands such as Marillion, Pendragon and IQ; and while theatrical stage antics were a part of the live performances of many artists exploring this subset of the progressive rock genre it's the musical elements that are key to the genre; typified by the use of atmospheric guitar and synth soloing with symphonic leanings, with a tendency towards floating synth layers and dreamy soloing. An additional trait is the use of modern synths rather than vintage analogue synths and keyboards. The main reasons for Neo-Progressive artists to be separated from the ones exploring Symphonic Prog in the first place are the above, as well as a heavier emphasis on song-form and melody than some of their earlier symphonic counterparts.

As time went by other artists appeared that also deviated from the norms created by the classic wave of progressive rock artists in the 70's. The late 70's had given the world punk music; the 80's gave the world new wave; and the 90's grunge. These, as well as other forms, had a tremendous amount of influence outside of the progressive rock realm. The advent of the modern synth also inspired artists like Tomita, Vangelis and Kitaro to explore dreamier musical works.

These and other forms of more or less newly made musical genres influenced artists exploring progressive rock as well. Although many artists did so within the framework of 70's progressive rock, more and more artists developed a sound and style so heavily influenced by these more recent musical developments that categorizing them within the existing subgenres of progressive rock became increasingly difficult.

While the Neo-Progressive genre initially consisted of artists exploring a modernized version of Symphonic Prog, these days artists coined as Neo-Progressive cover a multitude of musical expressions, where the common denominator is the inclusion - within a progressive rock framework - of musical elements developed just prior to and after 1980. The Neo-Progressive genre in it's refined form thus covers a vast musical territory, to some extent covering all existing subsets of progressive rock and also searching out towards genres as different as new age on one side and punk and metal on the other.

Opening paragraphs written by Stonebeard, Cygnus X-2, Greenback

Revised, edited and refined April 2009 by windhawk, The Doctor and E-Dub



The neo-prog team has also decided on 5 representative albums of neo-prog that encapsulate the essence of the genre. They are as follows:


Marillion-Script for a Jester's Tear
Collage-Moonshine
Satellite-A Street Between Sunrise and Sunset
Sylvan-Posthumous Silence
Frost-Milliontown


Current Neo-Prog Team members
as at 1/3/2020

Luca (octopus-4)
Keishiro (DamoXt7942)
Dan (earlyprog)

Neo-Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Neo-Prog | More Top Prog lists and filters

4.25 | 2193 ratings
MISPLACED CHILDHOOD
Marillion
4.24 | 2048 ratings
SCRIPT FOR A JESTER'S TEAR
Marillion
4.23 | 1281 ratings
THE ROAD OF BONES
IQ
4.17 | 1378 ratings
CLUTCHING AT STRAWS
Marillion
4.16 | 667 ratings
CONTAGION
Arena
4.15 | 486 ratings
POSTHUMOUS SILENCE
Sylvan
4.16 | 412 ratings
RESISTANCE
IQ
4.10 | 1112 ratings
MARBLES
Marillion
4.10 | 935 ratings
FREQUENCY
IQ
4.12 | 436 ratings
EMPIRES NEVER LAST
Galahad
4.09 | 480 ratings
A TOWER OF SILENCE
Anubis
4.06 | 697 ratings
THE VISITOR
Arena
4.05 | 685 ratings
EVER
IQ
4.05 | 692 ratings
THE MASQUERADE OVERTURE
Pendragon
4.04 | 944 ratings
DARK MATTER
IQ
4.10 | 300 ratings
LOVE OVER FEAR
Pendragon
4.16 | 181 ratings
NIGHT DREAMS & WISHES
Modern-Rock Ensemble
4.06 | 343 ratings
SEVEN
Magenta
4.01 | 683 ratings
THE SEVENTH HOUSE
IQ
4.02 | 504 ratings
FANFARE & FANTASY
Comedy Of Errors

Neo-Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Neo-Prog experts team

TRAVELLER
Magus / The Winter Tree
THE ART OF MADNESS
Psychedelic Ensemble, The
CROWN OF CREATION
Emerald
HUNTING THE FOX
Ines

Latest Neo-Prog Music Reviews


 Weltschmerz by FISH album cover Studio Album, 2020
3.80 | 92 ratings

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Weltschmerz
Fish Neo-Prog

Review by thesimilitudeofprog

4 stars It has been a long time in the making but Fish has finally released his final album 'Weltschmerz'. If this is indeed Fish's last studio album, he leaves us with a masterpiece. The word 'Weltschmerz' translates as a feeling of melancholy in a world of weariness. This album was created against a backdrop of unprecedented world events, shocks and challenges making the artistic achievement more impressive.

Grace of God in my opinion is one of Fish's better album openers. This song resonates with many of Fish's multi-movement pieces but this one is impressive because it builds so well and so naturally. Often with expansive prog pieces the way movements segue into another can become clunky or disjointed. Grace of God is a fine example of a song growing seamlessly with a clear purpose. Next up is a song called Man with A Stick. This song has a wonderful blend of old and new. Following Man with A Stick we have a song called Walking on Eggshells. A song about a torched relationship that should end but will not. The arrangements on Walking on Eggshells carries you on a journey. There are great moments of fine detail, and the vocals from Fish are flawless. This party's over is special song. This farewell song is both joyful and sad. It is a goodbye, but it is also a call to arms that we still need to fix our world. On the fifth track on the album Rose of Damascus, Fish delivers his greatest lyrical performance in years. The album standout for me is track 6 a song called Garden of Remembrance. It has one of the most powerful music videos I have seen in a long time. Garden of Remembrance is a poignant song with great emotional power and depth. The song references the issues of Alzheimer's and its deep emotional impact on family and loved ones. Anyone who has experienced Alzheimer's and Dementia in their family will be drawn into this song and will relate immediately with the depth and the power conveyed by the song and the video. Following Garden of Remembrance, we have a song called C Song (The Trondheim Waltz). This song has a real folk feel and references Fish's Scottish roots. After C Song (The Trondheim Waltz) what is probably going to be a fan favorite, Little Man What Now? This is reportedly inspired by his father's passing. This song this is a definite highlight on the album. Another highlight on this album is Waverley Steps (End of the Line). It brings together all the nuanced skills of Fish's sustained career. It has a powerful moving poetic narrative. On the title track Weltschmerz Fish masterfully brings together the mix of genres, styles and influences that define what the solo chapter of his musical career has been about. Weltschmerz stands as the best album of Fish's solar career and easily amongst the best of this year by anyone.

Rating-88%

Recommended Tracks: Grace of God, Rose of Damascus, Garden of Remembrance, Waverley Steps (End of the Line) & Weltschmerz.

 Assassing by MARILLION album cover Singles/EPs/Fan Club/Promo, 1984
3.56 | 62 ratings

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Assassing
Marillion Neo-Prog

Review by Tarcisio Moura
Prog Reviewer

3 stars In the 80磗 a had a friend who used to travel to Europe and got a lot of records that were completely unavailable for us in Brazil at the time. And she had this single (in picture disc form, if I磎 not mistaken). I really loved it, specially for its flip side, Cinderella Search. Probably Marillion磗 best romantic song ever, with its beautiful lyrics and superb music to match the inspired title, theme and words, it also features one of Steve Rothery磗 most emotional solos of his life. The "A" side is another classic track from this band, unfortunately marred by editing: at only 3;35 minutes it has little more than half of its original length, even if that does not make the songs loose its power and venom.

However, as good as they were, both versions here would pale from their renditions on Real To Reel live album of 1984. On that LP, Assassin in particular is much better than even the full length version of Fugazi. Cinderella Search also benefits greatly from the live performance, specially the new, dramatic, ending.

So, in the end, this single has more a historical importance than a musical one, since better interpretations pof both tracks can be found elsewhere. Also the cover art of the single is fantastic. For that alone I think the single was worth, at least at the time.

 Human Error! by CODE 18 album cover Studio Album, 2020
3.64 | 14 ratings

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Human Error!
Code 18 Neo-Prog

Review by friso
Prog Reviewer

3 stars Canadian neo-prog group Code 18 has made quite an interesting contribution to the neo-prog of 2020. With members of Huis the band was sure to produce a good sounding record. Basically the sound of Code 18 has all the neo elements; Genesis, Marillion and ELP. They chose a more open sound though, with less compression than their contemporaries. The band has some great ideas when it comes to creating musical themes of exciting imaginative neo-prog. However, the opening song 'Crystal of Time' is already a clear example of why this album just doesn't stick as much as others do; the track has many exciting ideas, but sums them up in a rather 'unfinished' way. In comparison with Marillion - who at their best gave every musical passage a sense of meaning in a story - Code 18 fails to put their compositions to the task. The lack of an above average singer or lyricist doesn't help either. Having said all that; this album has a lot of great instrumentation to offer! I even like the synth-driven interludes. The guitarist offers great emotive lines and some fine fusion chops as well. The fourteen minute long epic 'Waste' offers some of the band its most imaginative music and reaches some great highs. A highly skilled band like Code 18 could easily produce a great album if they would write their music to support a great story. 'Human Error!' remains a genre-album that will surely please a lot of neo-prog fans.
 Others by FROST* album cover Singles/EPs/Fan Club/Promo, 2020
3.33 | 22 ratings

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Others
Frost* Neo-Prog

Review by A Crimson Mellotron

3 stars Frost* is back four years after the birth of the excellent album 'Falling Satellites', the band masterminded by Jem Godfrey has released an EP of re-worked leftovers from the sessions of this very album. At a running time of approximately 32 minutes, this could have easily been turned into an LP +/- one more track.

The six songs are obviously divided into two halves: the first three being fast, punchy, energetic and in-your-face, and the other three representing the more mellow and moody side of Frost*. Listening to them, I really can't see any of them sitting that well on 'Falling Satellites'. I would say they work well on their own, but not that comprehensive as a collection. So, good call by Jem to leave them out.

Still, the songs are decent, and moreover, the guys in Frost* are too talented and experienced to make something really bad , certainly memorable (most of them) but they don't really feel like a band effort. The EP is full of really cool keyboard sounds and techniques but one can hardly hear the guitars, the bass, or even real drums.

'Others' feels too much like a Jem Godfrey solo release. This EP is good for sure but doesn't have the same value as the studio albums. Still, I would say it would be enjoyable for Frost* fans.

 Angels' Dreams by QUIDAM album cover Studio Album, 1998
3.75 | 7 ratings

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Angels' Dreams
Quidam Neo-Prog

Review by Heart of the Matter

4 stars This is a somewhat simpler version of Quidam than the one found in their debut album, with rhythmic patterns sticking to basic backbeat and its variations, but retaining, maybe even increasing, their melodic charm and classical harmonic richness. The key aspect here, to my taste at least, is that the winged voice of Emila Derkowska grows lighter than ever, and always keep finding new paths for melody.

The overall sound and feel remind me of Clannad in, let's say, "Macalla", if one skips the celtic passages. The electric guitar of Maciek Meller throw in the mix some excellent, even unforgettable lead moments, like in "Cheerful". Did I mencioned Emila? Well, she'll amaze you more than once, listen "Little Bird With No Legs", and tell me not.

 Human Error! by CODE 18 album cover Studio Album, 2020
3.64 | 14 ratings

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Human Error!
Code 18 Neo-Prog

Review by alainPP

4 stars Code 18 is a Canadian progressive rock band formed in 2008 by Johnny Maz (Huis). He chose Jean-Fran鏾is R閙illard to perform the guitar tasks and B鰊z on bass and vocals. "Human Error" is a concept album that tells the story of two nations fighting for water, not cheerful when you know that no one will come out on top. We find Dan Lacasse (Nathan Mahl) on drums, Donald Prince (Nathan Mahl, Spyral Jones) on bass, Michel St-P鑢e the jack-of-all-trades (Mystery, Huis) on guitar and Rachelle Behrens on vocals. Code 18 offers a new sound to set off in new symphonic musical meanders. "Crystal Of fire" in a Saga genre for the sharp guitar, plus Arena for the rest of the tempo, so neo prog, latent vocals and instrumental climbs, a bit of Zappa jazzy, final repetitive organ a little neurotic! "Underlude" on an ambient or even melancholy piano instrumental, some intros of Asia come to mind, there it is just magnificent, I love these pivotal moments! "Waste" long mysterious intro on the synth, children's voices a la Pink Floyd or Supertramp. The rhythm gradually intensifies and then it starts again even faster, a long crescendo in fact with a mess of voiceover. The last minutes denote, becoming airy, ambient, latent, a Gothic choir to finish; a quarter of an hour passed without a hitch. "Underlude II" for a sci-fi sound synth and rhythm machine on the rise, dreamlike hovering tune, enough to rinse your ears like in Arena and its "Crying". "They Took It All" arrives with a Roger Waters track, very dark, dark, then a synth- organ and nervous almost hard guitar rise, the voice almost disturbs a little sharp and too forward, the vintage 70's final with an organ a la Keith Emerson is most enjoyable; it merges from all sides. "The March" follows with a trigger on S-F keyboards like "Flash" and its little military drum. "River Of Blood" completely changes climate by offering a jerky song sung in the hard FM style, a less complex title; you have to wait to have distinct progressive traces with megaphone, Botempi synth sound effects, a final tortured solo on the guitar comes to enhance the title. "Drought" on a more conventional construction, bass creating the backbone then orchestral passage with synth at the origin, a little jazz-prog, then Arena in the background and a solo out of nowhere with the unexpected Michel St-P鑢e bluffing, bewitching, complaining. "Underlude III" and an organ solo with toccata and Johnny's fugue with punk solo thereafter. "Bed Time Theory" completes the album with Rachelle's voice, a gentle piano tune then the keyboard gives latent spleen tones; progressive drawer halfway with piano and guitar, it's truly progressive with a predictable grandiloquent and majestic crescendo; and an amazing guitar on a deluge of notes. Neo-prog with prog rock consonances and majestic symphonic sounds, a concept that calls out, there is potential in this first draft, to be followed closely.
 Love Over Fear by PENDRAGON album cover Studio Album, 2020
4.10 | 300 ratings

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Love Over Fear
Pendragon Neo-Prog

Review by higi88

2 stars Pendragon's new album "Love over fear" is a departure in sound from raw and anger which was "Men Who Climb Mountains" , too many mellow moments and lyrics, that are not my cup of tea. That being said, since this album is what it is I found it to be long and second and third CD are unnecessary, all considered not an album that I will return to. The album starts well with "Everything" a nice organ driven song and it's a highlight of the album. True Pendragon fans will probably like this album. It's a happy, calm album, but for me there is no strong and memorable songs. From my perspective, music is solid, nice guitar solos, but to be honest not a fan of vocals from Nick Barrett on this particular album. 2,5 stars

 Back to the Bones by HAZE album cover Studio Album, 2020
4.23 | 12 ratings

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Back to the Bones
Haze Neo-Prog

Review by milesm1uk

5 stars This is only a quick and short review. So when I first heard this on their Bandcamp account. The are on of the oldest not very well known bands of all time, seemingly? I was blown away when I first listened to this album, be prepared to listen to all 10 songs in one sitting, it just flows from one to the other. It's the best All round Prog album of this year. Listen to it and make up your own decision but if you love British Prog you will Love this album If 2020 is not a year to watch these bands at least it has been a year of great Studio Albums
 Clutching at Straws by MARILLION album cover Studio Album, 1987
4.17 | 1378 ratings

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Clutching at Straws
Marillion Neo-Prog

Review by friso
Prog Reviewer

5 stars I've been listening to Marillion's debut for years now, but I had never really connected to their other albums with Fish. Probably because I just don't like that eighties sound too much. 'Clutching at Straws' became my Covid-19 album last two weeks and I must say I was very much surprised by the maturity and the songwriting quality of this release! Especially when comparing it to the chaotic 'Fugazi' album. The sound of Marillion has bits of mid- seventies Genesis at its most symphonic and The Wall-era Pink Floyd. Sonicly you can hear the nineties just around the corner. Guitarist Steve Rothery impressed me a lot here with his frantic, yet melodic solo's that are sure to fire up the more intense moments even further. He is obviously influenced by David Gilmour, but manages to extend the symphonic blues repertoire with some original ideas. Marillion uses a lot of keyboards and synths, but never without creating interesting textures and distinct atmospheres. The band drenches the listener in an emotional journey - as is expected nowadays with neoprog - and the concept-album feel really works to the benefit of the songs here. Fish refrains from using his voice in the more extreme ways, perfecting his performance for a balanced and imaginative listening experience. The rocking 'Incommunicado' is the only song I don't fully like, because I don't like the sound of Marillion pumpin' the AOR at this dense level. On the other had, the band excels making great AOR / prog ballads like the haunting 'Torch Song' and 'Sugar Mice'. For me this is pretty much a perfect album and I'm guessing I will be giving 'Misplace Childhood' another listen as well - a record I felt disgusted by when first hearing it age seventeen.
 A Trace of Memory by SANGUINE HUM album cover Studio Album, 2020
3.96 | 4 ratings

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A Trace of Memory
Sanguine Hum Neo-Prog

Review by Rivertree
Special Collaborator PSIKE Team & Band Submissions

4 stars Since some years SANGUINE HUM are a trio (guitar, keyboards, bass) in a strict sense. For some time the collaborating drummers Paul Mallyon and Andrew Booker both already had been regular band members in the past, concerning studio sessions as well as their live gigs. Should this be one meaning of Trace Of Memory? Eh, this constellation, well, we don't necessarily have to understand that. A really minor issue anyhow. The chemistry obviously fits, the result is convincing, that's important in the end. SANGUINE HUM are not offering something totally different to the predecessor albums. No, they are trying to refine things again. And it's wonderful again. Simple as that. Yep, still on a high level.

'A Trace Of Memory' is the fifth album recorded under this moniker. But actually their story started with the predecessor outfit named Antique Seeking Nuns, worth it to be explored in the same way. Not really classifiable stylistically. Here we have a balanced blend of short songs and extended pieces, who feature some improvisational attitude. Short wins 5:2 by the way. Roundabout fourty vinyl fitting minutes in total. Whilst starting with the opener New Light, a looping synth intro ... wait, this somehow reminds of the 2015 album 'Now We Have Light'. Another Trace Of Memory? The Yellow Ship then shows some nice jamming minutes in between, embedded in a fantastic relaxed flow overall.

Recognition value immediately, I'm speaking of Joff Winks' acoustic guitar and unique gentle voice. And then surprise, keyboarder Matt Baber is even taking the drum seat on Thin Air. Concerning the closing Automaton his impact is very engaging. The song is partially backed by swirling looping synths, just a proper band trademark. But there's a jazzy electric piano given too, wow! Nice dreamy balladesque moments again and again, and the canterburyesque vibe all over. Another really fascinating SANGUINE HUM appearance. I'm delighted. Over a long period now, just like the US combo Ovrfwrd for example, they are constantly delivering high quality albums. Bravo once again ...

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Neo-Prog bands/artists list

Bands/Artists Country
25 YARD SCREAMER United Kingdom
ABACAB France
ABEL GANZ United Kingdom
ABRAXAS Poland
ACCEPT Japan
AD INFINITUM United States
ADN France
AELIAN Italy
AETHELLIS United States
AFTERGLOW France
AGENESS Finland
AGENTS OF MERCY Sweden
AHMSHERE Netherlands
AIRBAG Norway
AIRBRIDGE United Kingdom
AISLES Chile
ALBION Poland
ALKOZAUR France
ALMA SIDERIS Italy
ALSO EDEN United Kingdom
ALTAVIA Italy
AMANDA Belgium
AMON RA Germany
ANAMOR Poland
ANANKE Poland
THE ANCESTRY PROGRAM Germany
ANDROID Hungary
AN萂A Italy
ANIMATOR United States
ANNALIST Poland
ANUBIS Australia
APPLE PIE Russia
ARAGON Australia
THE ARC LIGHT SESSIONS Canada
ARCADELT Italy
ARCANSIEL Italy
ARCHANGEL Italy
ARENA United Kingdom
ARENAL Chile
ARGOS Germany
FINN ARILD Norway
ARK United Kingdom
ARKUS Netherlands
ARLEKIN Ukraine
ARLON Poland
ARRAKEEN France
ART Italy
ARVE Germany
ASGARD Italy
ASSAL Poland
ASTRALIS Chile
ASTURIAS Japan
ATEMPO Argentina
ATOMIC TIME Brazil
ATRIA France
ATRIUM Portugal
AUDITE Germany
AUFKLARUNG Italy
AVALON USA United States
SIMON AYRES United Kingdom
BACKYARDS France
BALLOON ASTRONOMY United States
BAROCK PROJECT Italy
NICK BARRETT & CLIVE NOLAN United Kingdom
KEVIN BARTLETT United States
SAULO BATTESINI Brazil
BEING & TIME Japan
BEL AIR Germany
BELIEVE Poland
STEWART BELL United Kingdom
BELLAPHON Japan
BEYOND THE BLUE Germany
BIG PICTURE United States
BIJOU Spain
BLACK PAGE Japan
BLIND EGO Germany
BLIND OWL United States
BLUE MAMMOTH Brazil
BOLUS Canada
FABRICE BONY France
XAVIER BOSCHER France
BRAIN CONNECT Poland
BRASS?/a> Netherlands
BREEZE Germany
CHRISTIAAN BRUIN Netherlands
DEC BURKE United Kingdom
TIM BURNESS United Kingdom
CAAMORA United Kingdom
CARPTREE Sweden
ALAN CASE Netherlands
RICH CASEY United States
CASINO United Kingdom
CASTANARC United Kingdom
CATAFALCHI DEL CYBER Italy
CATHEDRAL United States
CATWEAZLE Sweden
MARC CECCOTTI France
CENTAUR RODEO United States
CENTRAL PARK Germany
CHANDELIER Germany
CHANETON Argentina
CHEST ROCKWELL United States
CHILDREN OF NOVA United States
CINDERELLA SEARCH Japan
CIRKEL Netherlands
CIRRUS BAY United States
CLEPSYDRA Switzerland
CLIFFHANGER Netherlands
CLOUDS CAN Germany
COALITION United Kingdom
CODE 18 Canada
COLD FAIRYLAND China
COLLAGE Poland
COMBINATION HEAD United Kingdom
COMEDY OF ERRORS United Kingdom
CONTEMPORARY DEAD FINNISH MUSIC ENSEMBLE Finland
COSMIC DANGER United States
COSMOGRAF United Kingdom
COSMOS Switzerland
CRAYON PHASE Germany
CREA Sweden
CREDO United Kingdom
CRIMSON SKY United Kingdom
CRIS罫IDA Chile
CROCODILE United States
CROMWELL Germany
CRUZ DE HIERRO Mexico
CRYSTAL MAZE Germany
CRYSTAL PALACE Germany
CYAN United Kingdom
CYE Switzerland
THE D PROJECT Canada
THE DAME Netherlands
DARIUS Germany
DARWIN'S RADIO United Kingdom
DATURA France
DAVID AND THE THEATRE OF TWILIGHT Germany
DAYS BEFORE TOMORROW United States
DEAD HEROES CLUB Ireland
DEAD LETTER CIRCUS Australia
DEATON LEMAY PROJECT United States
DEEP THOUGHT Switzerland
DELTA CYPHEI PROJECT Germany
DEYSS Switzerland
DIAL Netherlands
DID France
DIFFERENCES Netherlands
DIFFERENT STRINGS Malta
DIRECTION Canada
DISTANT DREAM United States
DOCKER'S GUILD Italy
TROY DONOCKLEY United Kingdom
DR. NO Spain
DRACMA Spain
DRAMA Uruguay
DREAM ARIA Canada
DRIFTING SUN Multi-National
DUSTER United States
EARTHSTONE United Kingdom
EAST Hungary
ECHO US United States
ECHOREC. United Kingdom
EDEN SHADOW United Kingdom
EDHELS Monaco
EDISON'S CHILDREN Multi-National
EDITH Italy
EGDON HEATH Netherlands
EGOBAND Italy
ELEGANT SIMPLICITY United Kingdom
ELEMENTS Netherlands
ELEPHANT & CASTLE France
ELEPHANTS OF SCOTLAND United States
ELIXIR France
ELLEVEN Germany
EMERALD Netherlands
THE EMERALD DAWN United Kingdom
ENDLICH ALLEIN Italy
EPILOGUE United Kingdom
EQUINOX Panama
ERASMUS United Kingdom
ESKAPE Germany
ESTHETIC PALE Germany
ETERNAL WANDERERS Russia
EUREKA Germany
EURHYBIA France
EVERSHIP United States
EVERY WAKING HOUR United States
EVOLUTIVE France
EXHIBIT A United Kingdom
EXOUSTIA United States
EXXON Denmark
EYE 2 EYE France
EYESBERG Germany
EYESTRINGS United States
EZRA United Kingdom
F.O.R.S. Switzerland
FACTORY OF DREAMS Portugal
FANCYFLUID Italy
THE FAR MEADOW United Kingdom
FAUN Germany
FINAL CONFLICT United Kingdom
FISH United Kingdom
FIVE-O-ONE AM Netherlands
FIZBERS Poland
FJIERI Italy
FLAMBOROUGH HEAD Netherlands
FLAMMARION Portugal
FLUTTR EFFECT United States
FOR ABSENT FRIENDS Netherlands
FOR YOUR PLEASURE Germany
JACK FOSTER III United States
FRACTAL United States
FRAMAURO Poland
FRAMES Germany
FRAMEWORK United Kingdom
SALLY FRENCH United Kingdom
FROST* United Kingdom
FRUITCAKE Norway
THE FYREWORKS United Kingdom
GAILLION United States
GALADRIEL Spain
GALAHAD United Kingdom
GALL Poland
GALLANT FARM Italy
GALLEON Sweden
GAMBIT France
GANDALF'S FIST United Kingdom
DANIEL GAUTHIER Canada
PETER GEE United Kingdom
GEPETTO France
GERARD Japan
GHIRIBIZZI Belgium
IL GIARDINO DEI VIZI CONTINUI Italy
JIM GILMOUR Canada
GLACIER United Kingdom
GOOD AUTHORITY Netherlands
ANDREW GORCZYCA United States
IAN GORDON United Kingdom
GPS United States
GRACE United Kingdom
LE GRAND BATON Guadeloupe
GRAND TOUR United Kingdom
GREAT WIDE NOTHING United States
GREEN DESERT TREE Germany
GREEN SPACE France
JEFF GREEN Ireland
GRENDEL Poland
GREY LADY DOWN United Kingdom
HANGOVER PARADISE Netherlands
HARNAKIS Spain
HARVEST Spain
HAZE United Kingdom
THE HEALING ROAD Germany
HELLO MADNESS Mexico
HIDDEN LANDS Sweden
HIGH SPY United Kingdom
HIGHER CIRCLES United States
TRACY HITCHINGS United Kingdom
JOHN HOLDEN United Kingdom
LALO HUBER Argentina
STEVE HUGHES United Kingdom
HUIS Canada
HYBRID United Kingdom
I AND THOU United States
ICE Netherlands
THE ID Multi-National
THE IKAN METHOD Italy
ILLUMION Netherlands
ILUVATAR United States
IN NOMINE Spain
INDISCIPLINED LUCY Sweden
INES Germany
INFRINGEMENT Norway
INIOR Italy
THE INSTITUTE OF MODERN LOVE United Kingdom
INTROITUS Sweden
INVERTIGO Germany
INVISIGOTH United States
IQ United Kingdom
IRIS France
ISBJ諶G Denmark
IT United Kingdom
VELISLAV IVANOV Bulgaria
IXION Netherlands
JADIS United Kingdom
JANISON EDGE United Kingdom
IAIN JENNINGS United Kingdom
JESETER Czech Republic
JOHNNY BOB Germany
JOLLY United States
JUMP United Kingdom
K2 United States
KADATH Japan
KAMPAI Germany
KEN'S NOVEL Belgium
KINETIC ELEMENT United States
KING OF AGOGIK Germany
KNIGHT AREA Netherlands
KONCHORDAT United Kingdom
KRAMER Netherlands
LAHOST United Kingdom
LANDMARQ United Kingdom
THE LAST PLACID DAYS OF PLENTY Canada
LAUGHING STOCK Norway
LAZLEITT United States
LEAP DAY Netherlands
LEGEND United Kingdom
LEGGAT Canada
THE LENS United Kingdom
LEVIATHAN Italy
LIFESIGNS United Kingdom
LIGHT Netherlands
LIGHT DAMAGE Luxembourg
LIGHTHOUSE SPARROWS Finland
LIKE WENDY Netherlands
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